Miles Wallingford: Sequel to "Afloat and Ashore"Cooper, James Fenimore
General
Miles Wallingford: Sequel to "Afloat and Ashore"
Cooper, James Fenimore
Merchant mariners -- Fiction; Sea stories; Seafaring life -- Fiction
Mr. Hardinge now knelt, and the next quarter of an hour passed in prayer.
When the divine rose from his knees, Grace, her countenance beaming with
an angelic serenity, gave him her hand, and in a clear, distinct voice,
she uttered a prayer for blessings, connecting her petitions with the
gratitude due him, for his care of us orphans. I never saw the old man so
much touched before. This unexpected benediction, for it had that
character, coming from youth to age, quite unmanned him. The old man sunk
into a chair, weeping uncontrollably. This aroused Lucy, who regarded the
grey hairs of her father with awe, as she witnessed the strength of his
emotions. But feelings of this nature could not long absorb a man like Mr.
Hardinge, who soon regained as much of the appearance of composure as it
was possible to maintain by such a death-bed.
"Many may think me young to die," Grace observed; "but I am weary of the
world. It is my wish to submit myself to the will of God; but, blessed be
his holy name, that he sees fit to call me to him this day. Lucy, beloved
one--go into the next room, and draw the curtain asunder; I shall then be
enabled to gaze on the fields of dear Clawbonny once more; that will be my
last look at the outer world."
This leave-taking of inanimate things, objects long known and loved, is of
frequent occurrence with the dying. It is not in our natures to quit for
ever this beautiful world, without casting "one longing, lingering look
behind." The hand of its divine Creator was gloriously impressed on the
rural loveliness of my native fields that day, and a holy tranquillity
seemed to reign over the grain, the orchards, the meadows, and the wooded
heights. The couch of Grace was purposely placed at a point in her own
chamber that commanded a wide view of the farm, through the vista formed
by the door and windows of the adjoining room. Here she had often sat,
during her confinement to her rooms, contemplating scenes so familiar and
so much loved. I saw her lips quiver as she now gazed on them for the last
time, and was convinced some unusual sentiment, connected with the past,
pressed on her feelings at that instant. I could see the same view myself,
and perceived that her eyes were riveted on the little wood where Rupert
and I had met the girls on our return from sea; a favourite place of
resort, and one that, I doubted not, had often been the witness of the
early confidence between Grace and her recreant lover. Death was actually
hovering over that sainted being at the moment; but her woman's heart was
not, _could_ not, be insensible to the impressions produced by such a
sight. In vain the warm light from the heavens bathed the whole landscape
in a flood of glory; in vain the meadows put forth their flowers, the
woods their variegated, bright, American verdure, and the birds their
innocent gaiety and brilliant plumage; the fancy of Grace was portraying
scenes that had once been connected with the engrossing sentiment of her
life.
Public-domain text, read in full here on John Shaqi.
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