It is a signal mark of the degree to which religion became enveloped in the military spirit of those miserable days of chivalry, that ecclesiastical preferment was sometimes the reward of bravery on the field, as in the case of that chaplain to the Earl of Douglas who, for his courage displayed at the battle of Otterbourne, was, Froissart tells us, promoted the same year to a canonry and archdeaconry at Aberdeen. Vasari, in his ‘Life of Michael Angelo,’ has a good story which is not only highly typical of this martial Christianity, but may be also taken to mark the furthest point of divergence reached by the Church in this respect from the standpoint of her earlier teaching. Pope Julius II. went one day to see a statue of himself which Michael Angelo was executing. The right hand of the statue was raised in a dignified attitude, and the artist consulted the Pope as to whether he should place a book in the left. ‘Put a sword into it,’ quoth Julius, ‘for of letters I know but little.’ This was the Pope of whom Bayle says that never man had a more warlike soul, and of whom, with some doubt, he repeats the anecdote of his having thrown into the Tiber the keys of St. Peter, with the declaration that he would thenceforth use the sword of St. Paul. However this may be, he went in person to hasten the siege of Mirandola, in opposition to the protests of the cardinals and to the scandal of Christendom (1510). There it was that to encourage the soldiers he promised them, that if they exerted themselves valiantly he would make no terms with the town, but would suffer them to sack it;[260] and though this did not occur, and the town ultimately surrendered on terms, the head of the Christian Church had himself conveyed into it by the breach.