Considering, therefore, that no human institution yet devised or
actually in existence has had or has a moral influence or facilities
for exercising it at all equal to that enjoyed by the Church, it is all
the more to be regretted that she has never taken any real interest
in the abolition of a custom which is at the root of half the crime
and misery with which she has to contend. Whatever hopes might at
one time have been reasonably entertained of the Reformed Church as
an anti-military agency, the cause of peace soon sank into a sort
of heresy, or what was worse, an unfashionable tenet, associated,
condemned, and contemned with other articles of religious dissent.
‘Those who condemn the profession or art of soldiery,’ said Sir James
Turner, ‘smell rank of anabaptism and quakery.’[273]
It would be difficult to find in the whole range of history any such
example of wasted moral force. As Erasmus had cause to deplore it in
the sixteenth century, so had Voltaire in the eighteenth. The latter
complained that he did not remember a single page against war in the
whole of Bourdaloue’s sermons, and he even suggested that the real
explanation might be a literal want of courage on the part of the
clergy. The passage is worth quoting from the original, both for its
characteristic energy of expression and for its clear insight into
the real character of the custom of war:--‘Pour les autres moralistes
à gages que l’on nomme prédicateurs, ils n’ont jamais seulement osé
prêcher contre la guerre.... Ils se gardent bien de décrier la guerre,
qui réunit tout ce que la perfidie a de plus lâche dans les manifestes,
tout ce que l’infâme friponnerie a de plus bas dans les fournitures des
armées, tout ce que le brigandage a d’affreux dans le pillage, le viol,
le larcin, l’homicide, la dévastation, la destruction. Au contraire,
ces bons prêtres bénissent en cérémonie les étendards de meurtre; et
leurs confrères chantent pour de l’argent des chansons juives, quand
la terre a été inondée de sang.’[274]
Public-domain text, read in full here on John Shaqi.
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