Military Reminiscences of the Civil War, Volume 1: April 1861-November 1863Cox, Jacob D. (Jacob Dolson)
History
Military Reminiscences of the Civil War, Volume 1: April 1861-November 1863
Cox, Jacob D. (Jacob Dolson)
United States -- History -- Civil War, 1861-1865; United States -- History -- Civil War, 1861-1865 -- Personal narratives
In Washington I reported to the Secretary of War, and was received
with a cordiality that went far to remove from my mind the
impression I had got from others, that Mr. Stanton was abrupt and
unpleasant to approach. Both on this occasion and later, he was as
affable as could be expected of a man driven with incessant and
importunate duties of state. In the intervals of my constant visits
to the railway offices (for getting my troops and my wagons together
was the absorbing duty) I found time for a hurried visit to
Secretary Chase, and found also my friend Governor Dennison in the
city, mediating between the President and General McClellan with the
good-will and diplomatic wisdom which peculiarly marked his
character. I had expected to go forward with three regiments to join
General Pope on the evening of the 26th; but Colonel Haupt, the
military superintendent of railways at Alexandria, was unable to
furnish the transportation by reason of the detention of trains at
the front. [Footnote: _Id_., pp. 625, 677.] Lee's flank movement
against Pope's army had begun, and as the latter retreated all the
railway cars which could be procured were needed to move his stores
back toward Washington. On the afternoon of the 26th, however,
arrangements had been made for moving the regiments at Alexandria
early next morning. [Footnote: _Ibid_, and pp. 678, 679.] The wagons
and animals were near at hand, and I ordered Colonel Moor with the
Twenty-eighth Ohio to march with them to Manassas as soon as they
should be unloaded from the railway trains. But during the night
occurred a startling change in the character of the campaign which
upset all our plans and gave a wholly unexpected turn to my own part
in it.
Public-domain text, read in full here on John Shaqi.
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