Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
White's cabin was better than the average Sand-Mountain house, but
its surroundings were not so inviting as those where considerable
farms, with orchards and garden plats, gave an air of frugal thrift,
almost of comfort to the scene, at some points in the lower valleys.
It was built of pine logs, split into halves, the flat side turned
in, and the apertures between covered with long clap-boards of pine,
rove with the grain, and smoothed with a drawing-knife. The
chimneys, which were spacious, consisted of pens of split sticks,
built from the ground to a little above the roof, and heavily daubed
with red clay. An arid little clearing whose stumpy, rain-washed
fields lay as if on edge, leaning against the mountain-side, showed
that a light crop of tobacco or a doubtful yield of maize "nubbins"
would be the best return that labor might hope for from the soilless
clay and the dry, lifeless monotony of the mountain summers. This
clearing was all on one side of the cabin, reaching down toward the
little valley, whilst on the other three sides the forest was
unbroken, saving that, further up the mountain, wind and fire had
done their work for ages. The fences about the place were old and
neglected, grown over by vines and shrubs of various kinds, and the
little gate in front, made of wattled boards, hung askew on rude
hinges of hickory withes. Just outside of this gate, between it and
the road, was a small space which for many years, ever since the
cabin was built, in fact, had been used for piling up, cutting and
splitting the wood and pine knots used by the household, and upon
which a moldy mass of chips, bark and woody fragments had slowly
accumulated. All the native trees near the cabin had long ago been
felled, and a few gnarled peach trees now grew in their stead.
Standing on the rotten door-sill and looking out across the lower
valley, one could have a fine view, over ill-shaped farm-plats and
variegated woods, of the broken masses of mountains, near and far,
with their beetling cliffs, their clustered foot-hills and their bare
stony peaks, all over-canopied with a serene blue sky. But the scene
was not one to inspire the beholder with any broad ideas of nature or
of human life. It was a dry, cramped, desolate landscape, even in
the first fresh colors of spring, when the tassels were on the trees
and the wild flowers fairly carpeted the ground, for it lacked
fertility, suggestion, promise.
Public-domain text, read in full here on John Shaqi.
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