Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
Milly found her father's cart under a tree in the outskirts of the
town, the one kind-eyed, long-horned little ox contentedly ruminating
between the rude shafts.
"W'y, ole Ben, air ye tired er waitin'?" she exclaimed, patting the
bony little fellow on the shoulder, "we'll be er goin' soon es pap
comes, won't we, Ben?"
[Illustration: "W'y, ole Ben, air ye tired er waiten'?" she
exclaimed. _Page 129_.]
She climbed into the shallow box of the cart and sat down on its
bottom with her head thrown back so that she could gaze up through
the tree-tops at the bright blue sky. A breeze, cool and sweet, was
stealing down from the mountains rustling the few dry leaves that
still clung to the branches overhead. She sang, in a thin childish
falsetto, snatches of the simple hymn-tunes she had caught from her
parents; but she got the words together in a meaningless confusion.
Her conception of a song of any sort rose no higher than a
consciousness of the pleasing sounds of the voice singing it.
For a long while she waited patiently, now and then glancing down the
unkempt street to see if her father had yet come in sight; then she
stood up in the cart and looked. It was growing late. The sun was
slipping down behind the mountains and a cooler breath crept through
the valley.
"Well, Ben, hit air no use er stayin' yer any longer, I 'spec' at pap
he air drunk. Git erp ther', Ben!"
She had gathered up the rope guiding line and the gad that lay in the
box, and as she finished speaking she tapped the ox and drove away,
heading for the road that led homeward. The thought that her father
was drunk seemed not to affect her in any way. She soon resumed her
singing, and her aimless, wistful gazing at the splendid Southern sky.
It was long after night-fall, but the moon was shining brightly, when
Milly drove up to the little front gate at home, and freeing Ben from
his yoke and shafts, turned him loose to browse on the mountain-side.
Her mother met her at the door.
"Wher' air yer pap?" was the laconic inquiry.
"Drunk, I 'spec'," was the answer.
"An' er playin' of keerds," suggested Mrs. White.
"Yes, I 'spec'."
"Well, ef hit air seving up 'at he air a playin' ther' air sense to
hit, fer he gin'rally wa'ms their low down gam'lin' hides fer 'em,
w'en hit air seving up 'at he plays; but ef he goes in on ter any er
them tother games, he'll come home 'ithout ary cent inter his
pockets, mind what I tell ye."
"I wush John 'd come home, that's what I wush," murmured Milly,
opening the door of Reynolds' room and going in to wander listlessly
about among his things. She touched his books, his pencils, his
brushes, his pen, and lingered about the easel upon which the dog
sketch still rested unfinished.
It was nearly midnight when White came in good-humoredly drunk,
boasting of another victory at "seving up with them air gam'lers."
His wife had gone to bed, but Milly met him with her usual quiet
welcome and the formula expressing her predominant "wush."
Public-domain text, read in full here on John Shaqi.
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