Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
"I beg a thousand pardons," he exclaimed. "I did not mean to be
insincere--indeed, Miss Crabb, I was under the impression that I was
making myself quite entertaining, don't you know, I----"
She laughed again, a clear, honest, prairie laugh, throwing back her
head and holding up one hand as if to ward off something.
"Oh, it's the same thing over and over. Wherever I go men look upon
me as a sort of monstrosity at large by some accident, because I
travel alone, just as a man may, and because I attend to my business,
just as a man does. It's really funny sometimes; I overhear what
they say. They comment on me. 'A cheeky old girl,' 'a newspaper
crank,' 'a stiff-minded female,' and 'a meddling nuisance,' are the
delicate and friendly epithets applied to me by men. One fellow at
the Cincinnati convention called me 'a bag of gimlets' to my face."
"But then your absolute knowledge that the man was mistaken must have
ruined the point of his remark," said Moreton. "Conscious innocence
is an impenetrable shield."
She looked up at him with a flash of momentary anger in her eyes,
then laughing again she said:
"Oh, go on, I'm used to it, and, besides, I can't afford to quarrel
with you until I have your sketches in hand; you _must_ make the
sketches, Mr. Moreton: they will be invaluable to me. I want to get
on in literature, and the only way in which I can do that is to get
into the great illustrated magazines: they are the highways to fame."
There was a hungry, almost greedy ring to her voice, as if her
longing for literary recognition were rooted in her heart. Moreton
fancied that her lips quivered as she spoke. Her manner touched his
sympathy.
"You'll get on fast enough, Miss Crabb," he quickly said; "your
energy and persistence and your capacity for work will take you
through, never fear." It was the best he could think of, though he
felt its utter inadequacy to her fancied needs. As he looked down
upon her his rather heavy, thoroughly English face wore a very kindly
expression.
"But you don't know, Mr. Moreton, you can't imagine what a hard time
I have; how many ugly obstacles men put in my way, simply because I
am a woman. I don't see why they do, but they do. It's awful
sometimes."
"They are brutes, they ought to be punched, don't you know," he
blurted; "they deserve no recognition by gentlemen."
"Yes, but they _do_ get recognition," she replied, half-mournfully.
"They drink and smoke and swear themselves into prominence in every
walk of life--into fame, fortune, and----"
"Oh, not so bad as that, I hope," he interposed. "Don't be
discouraged. George Eliot and Georges Sand and----"
"They are not American women," she interrupted in turn, "and they
have never tried editing a country newspaper or writing for a New
York magazine. They were rich, or had influential friends, or made
people believe they were men."
"Well, suppose you try adopting a masculine pseudonym, you might----"
Public-domain text, read in full here on John Shaqi.
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