Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
Somewhere, not very far away, they heard the booming of General
DeKay's and Mr. Noble's guns. The sport must have been fine, for the
shooting was rapid.
They found the stair--a zig-zag flight of crazy steps, leading up to
the plateau above. In order to reach its foot, they had to stoop and
creep under the low-hanging boughs of a tree. Reynolds took hold of
her arm to help her. On a sudden impulse she freed herself from him.
A thrill had come with his touch, and something like fear took
momentary possession of her. She fled nimbly up the steps ahead of
him, as if she meant to escape him entirely. He scarcely noticed her
start and her haste, for some vines and tangled branches hindered him
and disturbed his vision. When she emerged into the sunlight of the
level space on the bluff, Mrs. Ransom stopped, ashamed of her foolish
flight, and turned about just in time to look straight into the eyes
of Reynolds, as he was surmounting the topmost steps.
"I beat you climbing," she exclaimed, her voice shaking a little from
the effect of her exertion.
"I feared you had left me for good and all," he replied; "but how
pale you are! Was your effort too violent? Are you ill?"
"Not at all," she responded, the negative phrase peculiar to the
Southern people falling with a sort of breathless readiness from her
lips. "Am I really pale?"
"Perhaps not," he said, seeing the rosy light coming into her cheeks
again. "I only imagined it; but it is a difficult place to climb,
and you came up like a bird. You shouldn't take such risks: it is
dangerous."
He looked about for the ruin. A tall, heavy chimney-stack rising
above a tangled mass of wild vines and trees answered his inquiry.
"Come this way," she said, leading on; "there is a path, further up
the slope, that goes round to the entrance."
He followed her quick movements, and soon she stopped before an
arched doorway in the old semi-circular transom of which a few pieces
of stained glass still remained. On either hand stood fragments of
stuccoed pillars all festooned with vines. She paused but for a
moment, then went under the arch and passed from roofless room to
roofless room with the swift, certain step of one quite familiar with
the place. Every where the ivy and wild grape vines had draped the
crumbling walls and heaps of rubbish, so that, in places, bowers as
fanciful as those of fairy-land, made a sweet crepuscular gloom,
though the foliage was mostly gone. He tried to reach her side, but
her quick turns and elusive movements kept her all the time just
ahead of him, and her sweet voice came back to him, as if tossed to
him over her shoulder, luring him on and on, in and out through the
labyrinth of rooms. Once she stopped for the merest moment to look
out, through a ragged opening which had once been a window, down upon
the placid face of the river. He came close to her and bent low to
gaze over her shoulder. She felt his breath on her neck.
Public-domain text, read in full here on John Shaqi.
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