Milton, John, 1608-1674; Poets, English -- Early modern, 1500-1700 -- Biography
from fear that the threatened punishment of death may after all descend
upon her. And that suggests the picture of "Adam wedded to another
Eve," which brings her swiftly to the decision that Adam shall share
with her her fate, whichever it be, bliss or woe. In this, as later in
her hasty proposal of suicide, Eve is a living and convincing human
figure. To the stronger and wiser Adam it was harder to give life.
But what could be finer or truer than his instant repudiation of her
plausible tale--
"How art thou lost! how on a sudden lost,
Defaced, deflowered, and now to death devote!"
followed by his immediate resolution to die with her--
"And me with thee hath ruined: for with thee
Certain my resolution is to die.
How can I live without thee?"
{189} The rest follows with equal probability. Once resolved to unite
his lot with hers, he soon finds arguments to prove that that lot is
not likely after all to be so dreadful. Having talked himself into the
surrender of his judgment he eats, and having eaten he goes at once all
lengths of extravagance, folly and sin. Then comes the reaction and
the inevitable mutual reproaches; with the fine natural touch of Eve
upbraiding Adam for his weakness in yielding to her request and
granting her the freedom which had proved so fatal. So the ninth book
closes. When the story is resumed in the second half of the tenth book
we get the tremendous lamentation of Adam, so strangely undramatic in
its argumentative justification of his own punishment, so full of true
drama as well as of magnificent lyrical power in its cry of human
misery and despair. Then follows the bitter attack upon Eve, as the
cause of all his woe: and the whole scene is concluded by her humble
and beautiful submission--
"While yet we live, scarce one short hour perhaps,
Between us two let there be peace:"
by their reconciliation, and by their quiet and resigned acceptance of
their common fate.
{190}
Public-domain text, read in full here on John Shaqi.
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