His habit in early life had been to study late into the night. After he lost his sight, he changed his hours, and retired to rest at nine. In summer he rose at four, in winter at five, and began the day with having the Hebrew Scriptures read to him. "Then he contemplated. At seven his man came to him again, and then read to him and wrote till dinner. The writing was as much as the reading" (Aubrey). Then he took exercise, either walking in the garden, or swinging in a machine. His only recreation, besides conversation, was music. He played the organ and the bass viol, the organ most. Sometimes he would sing himself or get his wife to sing to him, though she had, he said, no ear, yet a good voice. Then he went up to his study to be read to till six. After six his friends were admitted to visit him, and would sit with him till eight. At eight he went down to supper, usually olives or some light thing. He was very abstemious in his diet, having to contend with a gouty diathesis. He was not fastidious in his choice of meats, but content with anything that was in season, or easy to be procured. After supping thus sparingly, he smoked a pipe of tobacco, drank a glass of water, and then retired to bed. He was sparing in his use of wine. His Samson, who in this as in other things, is Milton himself, allays his thirst "from the clear milky juice." Bed with its warmth and recumbent posture he found favourable to composition. At other times he would compose or prune his verses, as he walked in the garden, and then, coming in, dictate. His verse was not at the command of his will. Sometimes he would lie awake the whole night, trying but unable to make a single line. At other times lines flowed without premeditation "with a certain impetus and oestro." What was his season of inspiration is somewhat uncertain. In the elegy "To Spring," Milton says it was the spring which restored his poetic faculty. Phillips, however, says, "that his vein never flowed happily but from the autumnal equinox to the vernal," and that the poet told him this. Phillips' reminiscence is perhaps true at the date of _Paradise Lost_, when Milton's habits had changed from what they had been at twenty. Or we may agree with Toland, that Phillips has transposed the seasons, though preserving the fact of intermittent inspiration. What he composed at night, he dictated in the day, sitting obliquely in an elbow-chair, with his leg thrown over the arm. He would dictate forty lines, as it were in a breath, and then reduce them to half the number.