The other Whitman shrine in Camden is the tomb in Harleigh Cemetery,
reached by the Haddonfield trolley. Doctor Oberholtzer, in his "Literary
History of Philadelphia," calls it "tawdry," to which I fear I must
demur. Built into a quiet hillside in that beautiful cemetery, of
enormous slabs of rough-hewn granite with a vast stone door standing
symbolically ajar, it seemed to me grotesque, but greatly impressive. It
is a weird pagan cromlech, with a huge triangular boulder above the door
bearing only the words WALT WHITMAN. Palms and rubber plants grow in
pots on the little curved path leading up to the tomb; above it is an
uncombed hillside and trees flickering in the air. At this tomb,
designed (it is said) by Whitman himself, was held that remarkable
funeral ceremony on March 30, 1892, when a circus tent was not large
enough to roof the crowd, and peanut venders did business on the
outskirts of the gathering. Perhaps it is not amiss to recall what Bob
Ingersoll said on that occasion:
"He walked among verbal varnishers and veneerers, among literary
milliners and tailors, with the unconscious dignity of an antique god.
He was the poet of that divine democracy that gives equal rights to all
the sons and daughters of men. He uttered the great American voice."
And though one finds in the words of the naïve Ingersoll the squeaking
timber of the soapbox, yet even a soapbox does lift a man a few inches
above the level of the clay.
Well, the Whitman battle is not over yet, nor ever will be. Though
neither Philadelphia nor Camden has recognized 330 Mickle Street as one
of the authentic shrines of our history (Lord, how trimly dight it would
be if it were in New England!), Camden has made a certain amend in
putting Walt into the gay mosaic that adorns the portico of the new
public library in Cooper Park. There, absurdly represented in an austere
black cassock, he stands in the following frieze of great figures:
Dante, Whitman, Molière, Gutenberg, Tyndale, Washington, Penn, Columbus,
Moses, Raphael, Michael Angelo, Shakespeare, Longfellow and Palestrina.
I believe that there was some rumpus as to whether Walt should be
included; but, anyway, there he is.
Public-domain text, read in full here on John Shaqi.
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