Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
General
Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
Much can happen in a little space of time and although there was
a good deal of give and take on the part of Minerva and the
crowd I don’t suppose she was up in the air many seconds. We can
afford to laugh at it now but at the time, aside from its
ludicrous aspect there was a terrifying side to it. Minerva was
not built to fly to mother earth from such a height and survive.
But although she was frightened half to death she did not lose
her grip, and her foot around the rope lessened the strain on
her hands and James and several others sprang to the rope and
began to haul her down as soon as they could.
When she felt her feet touch earth she fell on her face in a
dead faint and then the crowd learned for the first time that
she was not an attraction of the fair.
A dash of lemonade—the nearest approach to water handy—brought
her to her senses, but her feelings were hurt and she would not
listen to James’s apologies (although what he found to apologise
for I don’t know, seeing he had not been to blame; but he was
very gallant)—she would not listen to his apologies but flounced
off to a place far from the madding crowd just as Miss Pussy had
retired after the humiliation of her upward trip and for the
space of full five minutes Minerva refused to be comforted.
But peanuts have a mollifying effect on some dispositions and
James bought a bulging bag and presented them to the amateur
_ascenseur_ and all went merry as a marriage bell from that time
on.
* * * * *
It was moonlight when the slow-moving oxen, decorated with their
prize-ribbons (for they had won first prize) took up the
homeward march.
We had a free road in a very short time for everything else
passed us, and we sang songs and yodled and tried to forget that
to-morrow would end all the happy days.
Coming to a steep hill we all got out, although Mr. Goodman said
there was no need. But sitting Turk fashion is easier for Turks
than for Americans, and we felt the need of limbering up.
The ascent was flanked on either side by luxuriant maples that
made a tunnel through which flecks of moonlight dappled the
road. When we had gone half way up the moon seemed perched on
the apex of the hill, golden and radiant, and while Ethel and I
looked two figures walked into the shining circle—two figures
that were very loverlike.
It was impossible to miss the significance.
Cherry and Hepburn.
Their heads were facing each other and they were two black
silhouettes representing happiness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account