Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
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Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
“My name is Fotherby, but I sell shoes week days.”
“Well, _Mr._ Fotherby, I don’t want to buy any shoes to-day, but
I do want to know whether you are interested in the Hurlbert
Home.”
The deacon’s manner underwent a remarkable change. Up to that
time he had been the attentive salesman. Now his face softened,
he motioned me to a seat and sat down beside me.
“Interested? I’m wrapped up in it. What do you want? To help it
or be helped by it?”
“Both in a way,” said I, as I thought of what the concert was
going to accomplish for me.
“I am in a position to give a concert of negro melodies for the
benefit of your home. I control—in a measure—two colored persons
who have fine voices, and it occurred to me that the villagers
and perhaps the summer people would attend a concert given in
your church.”
“Yes, they would,” said he, rubbing his hands. “And we could
provide some attractions out of our own ranks. There’s a male
quartette in the Sunday School—”
“White?” said I.
“Why, certainly,” said he.
“Well, I’m a person entirely devoid of race prejudice, but you
must remember that this is New England, Massachusetts in fact,
and if we wish to make a success of this concert we must not mix
the two races. I see no reason personally why your white
quartette should not sing on the same stage with our colored
singers, if they sing as well, but I am quite sure that the
public would not patronize the concert if we advertised it as a
mixed affair.”
The good deacon rose from his seat and said, “Why, my dear sir,
I consider that a colored man has just as white a soul as a
white man.”
I also rose and told him that I could not swear as to the color
of any soul; that souls might be a delicate pink for all I
personally knew to the contrary. I also told him that I would
not object to attending a concert of beautiful voices that came
out of white and black throats (I was not flippant enough to say
that all throats were red) but that I knew my fellow Yankees too
well to think that they would care to come to a concert where
whites and blacks sang on the same stage.
“It might go in the South,” said I, “where their ideas about
such things are different from ours, but up here if you want our
colored concert to be a success you must let all the singing be
done by colored folks and all the hearing be done by white.”
Public-domain text, read in full here on John Shaqi.
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