Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
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Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
I bowed to the audience, bowed to the minister, bowed to the
idiot who had misintroduced me, and then I began the thing, and
to Ethel’s intense relief (for I happened to look at her) the
audience burst out into laughter before I had finished the first
verse. The second verse caused them to laugh still more, and
instead of keeping my wits entirely on the matter in hand I
allowed myself to think of both what my audience was doing and
what the man had been saying, and the consequence was what it is
apt to be if a man loses grip of his work. I lost my lines. I
had recited the thing dozens of times, but now not a word would
come to me. I smoothed my moustache and coughed in character,
and took a step or two around the platform, as if I were leading
up to some business and then I bowed suddenly and walked into
the cloak room, where I was followed by Ethel, and for the next
two minutes I had all I could do to restrain her sobs. She was
hysterical.
As for me, I was angry clear through, and when the pastor came
in I started to tell him, but he raised his hand and I saw that
he understood better than I could say. He grasped my hand and I
knew that he was a man of feeling.
“It’s all right,” said he. “The audience is laughing and
applauding, and they think you meant to do it. Go back and give
them something else.”
It was as if a flash of lightning had shown me a way of escape
from a perilous lodgment.
“Do you mean it?” said I.
He opened the door a little and I could hear them clapping their
hands.
“Ethel, I’ll go in and tell them that story I wrote for Mazie.”
Back to the platform I went, with my mind full of a nonsense
story I had written for my niece.
I was received by enthusiastic applause, and heartened by their
kindly feeling I told them the following story, which I called:
“The Mother of Little Maude and Little Maude.”
Once upon a time there was a little girl named Maude, and she
went out a-driving in a four-wheeled carriage drawn by two
four-legged horses and driven by one two-legged driver. And the
dear little girl named Maude sat on the front seat by the
two-legged driver and Maude’s dear Mama sat on the back seat by
herself, which is not the same as _beside_ herself.
And all of a sudden the horses, which had only been running
before, began to run away. And the dear little girl named Maude
wished to let her mamma know that they were running away, but
she did not wish to alarm her too suddenly, for sometimes shocks
are serious.
Public-domain text, read in full here on John Shaqi.
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