All these enormous things had run their course, and reached a
settlement: the empire gone, Prussia supreme, the nation half
murdered--a stillness and bitterness over everything. That which
had been his life such a very little time before had ceased for him
altogether. Some who read this would know too well whom I mean if I
were to give the details of his misfortune, or of how he followed,
but only at a distance, and supported his child: of how he learnt
that the mother had left him for ever.
Note this strange thing: that to this young man, even now not yet in
his twenty-third year, the torrents of violent emotion had settled
into a sort of lake; a permanent feeling, profound, unchangeable,
nourishing an unvarying output of appeal. Whatever he had lived,
in whatever ways, his own small concealed home, his family for a
moment estranged, his tradition and his proud name--all these had
distilled into a lyrical patriotism, the fruits of which seemed at
first more than half contemptible to the hard French temper about
him. Those fruits took many forms. In the first place, he expended
his whole self in a perpetual and open insistence upon the necessity
for raising the nation against its conqueror; and this he did in
a society where all such open and direct expression is greeted as
insufficient and unworthy.
He acted thus, ingenuous and direct, in the midst of a Paris and of
a France especially bent upon reserve, and he maintained that form
of expression in spite of a much ridiculing and, what wounded him
more, a patronizing affection. Through all his youth, through all his
manhood, on into his middle age and to the verge of old age, this
exalted mood affected him to verse, most of it of the second-rate
sort; all of it rhetorical; all of it sincere. You may guess how this
popular versifying jarred on the critical French ear and soul.
There was no occasion during thirty years, during forty years, in
which he did not make it his business to preach continually the duty
of reassertion and of warring down a conqueror who had become now
assured in strength and rooted, and of whose achievement and mastery
there seemed at last no question. It was the moment when Renan said:
“France is dying. Let us not brawl at her death-bed.”
Long after Alsace-Lorraine had become mere names to a younger
generation which knew nothing of the war, through mighty civil
contests of opinion and even of religion (which the French alone
wage in our time), his simple note sounded continually: at first
acclaimed by the poor; always ridiculed by the too-cultured or the
too-fatigued: latterly almost grotesque, still sounding in a world
which had completely changed. In some part of his expression he had
aged prematurely. In body he was still alert, though his last illness
was upon him; in the vigour of his gesture, the fire of his glance,
he was more than he had ever been.
Public-domain text, read in full here on John Shaqi.
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