Flatman has been condoled with on his name by Mr. Bullen, one of
the few persons who have done him some justice in recent years.[1]
I should rather myself, for reasons which will be given presently,
condole with him on his date. His father was probably Robert Flatman
of Mendham, Norfolk, and it is supposed that the poet was born in
London. The date of his birth, recorded here for the first time,
was February 21, 1635, about 5.29 in the morning. So his horoscope,
preserved by Ashmole,[2] informs us. When he was elected at Winchester
on Michaelmas Day, 1648, he was stated to be 'eleven years old'--a
slight miscalculation. He himself in _The Retirement_, written in
1665, correctly speaks of his 'thirty years'. He actually entered
Winchester in September, 1649. He was transferred in the usual (when
uninterrupted) course to New College, Oxford; he was admitted as a
probationer on September 11, 1654, but seems not to have matriculated
till July 25, 1655; he became Fellow in 1656.[3] There is no academic
record, it would seem, of his ever having taken his degree, though he
is spoken of as 'A.B. of Oxford' when, by the King's Letters, he was
made M.A. of St. Catherine Hall, Cambridge, in 1666. He went from
Oxford to the Inner Temple, in 1655, and was called to the Bar on May
11, 1662. Oldys has a half-satiric reference to his pleading.[4] He
was elected a Fellow of the Royal Society in April, 1668. In 1672 he
married, his wife being favourably spoken of, and gossip--inevitable
whether well founded or not--records that his 'Bachelor's Song' (_v.
inf._) was sung under his windows on the occasion by 'merry friends'.
And he died in London on December 8, 1688. Beyond these meagre
details, and a statement that he had property at Diss (the cure
of Skelton and the home of Maria Jolly), we know little about him
directly or by external evidence. By that of his poems he must have
been a friend of good men--Walton, Cotton, Edward Browne[3] (Sir
Thomas's son), Faithorne the engraver, Oldham, and others. His
miniature portraits are well spoken of;--one is in possession of the
Duke of Buccleuch, seven are in the South Kensington Museum. That,
however, which illustrates his _Poems_ is from a painting by John
Hayls, whom Pepys's Diary has made known to a wider circle than
students of the History of English Painting.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account