[Line: 4 _1677_ '_by_ art'.]
[Line: 6 _1677_ '_in_ soft'.]
[Line: 8 Thomas Bushel[l] or Bushnell (1594-1674) was a page
of Bacon's and afterwards a great 'projector' in mining and
mechanical matters generally. He dabbled largely in fancy
fountains and waterworks--a queer taste of the seventeenth
century in which even the sober Evelyn records his own
participation.]
[Lines: 9-10 Cf. the opening of the elegy on King, 'I like not
tears in tune'.]
[Line: 11 _1647_, _1651_, _1653_, &c. '_when_ he mourns',
which is hardly so good.]
[Line: 18 Seth's pillars] A tradition, preserved in Josephus,
that the race of Seth engraved antediluvian wisdom on two
pillars, one of brick, the other of stone, the latter of which
outlasted the Deluge.]
[Line: 20 _1647_, _1651_, _1653_, &c. '_From_ much'.]
[Line: 34 _1647_, _1651_ misprint '_Agena_-like.]
[Line: 35 _1653_ misprints 'blackish'.]
[Line: 38 _1647_, _1651_, _1653_ 'noble'.]
[Line: 44 _1677_, omitting the comma at 'act', makes something
like nonsense; 'by prophecy' goes, I think, with 'adjudged to
die'.]
[Line: 50 One would expect 'Chesterfield', for Grantham
nowadays does not look very crooked--at least from the
railway. But Fuller in the _Worthies_ quotes this as
a proverb. Some take it as referring to the height and
slenderness of the steeple and an optical illusion. They might
quote 'The high masts _flickered_ as they lay afloat'. But few
travellers had the excuse of Iphigenia.]
*On I. W. A. B. of York.
Public-domain text, read in full here on John Shaqi.
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