IF we regard the miracles of our Lord as an epitome of the works of his
Father, there must be room for what we call destruction.
In the grand process of existence, destruction is one of the phases of
creation; for the inferior must ever be giving way for the growth of the
superior: the husk must crumble and decay, that the seed may germinate
and appear. As the whole creation passes on towards the sonship, death
must ever be doing its sacred work about the lower regions, that life
may ever arise triumphant, in its ascent towards the will of the Father.
I cannot therefore see good reason why the almost solitary act of
destruction recorded in the story should seem unlike the Master. True
this kind is unlike the other class in this, that it has only an all but
solitary instance: he did not come for the manifestation of such power.
But why, when occasion appeared, should it not have its place? Why might
not the Lord, consistently with his help and his healing, do that in one
instance which his Father is doing every day? I refer now, of course, to
the withering of the fig-tree. In the midst of the freshest greenery of
summer, you may see the wan branches of the lightning-struck tree. As
a poet drawing his pen through syllable or word that mars his clear
utterance or musical comment, such is the destruction of the Maker. It
is the indrawn sigh of the creating Breath.
Our Lord had already spoken the parable of the fig-tree that bore no
fruit. This miracle was but the acted parable. Here he puts into visible
form that which before he had embodied in words. All shapes of argument
must be employed to arouse the slumbering will of men. Even the
obedience that comes of the lowest fear is a first step towards an
infinitely higher condition than that of the most perfect nature created
incapable of sin.
The right interpretation of the external circumstances, however, is of
course necessary to the truth of the miracle. It seems to me to be the
following. I do not know to whom I am primarily indebted for it.
Public-domain text, read in full here on John Shaqi.
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