Miranda of the Balcony: A StoryMason, A. E. W. (Alfred Edward Woodley)
General
Miranda of the Balcony: A Story
Mason, A. E. W. (Alfred Edward Woodley)
Fiction
From those very minarets, during long successive centuries, a Mueddin
at just that hour had uttered just that cry; so that the Mueddin
became nothing, but the cry echoed down the years. And just that same
answer had risen and trembled out in just the same plaintive
mournfulness, so that those who prayed became of no account, and the
prayer repeated by the generations, the one thing which lived.
Charnock used to halt upon his road, turn his face backwards to the
town, and picture to himself that from East to West the whole
continent of Africa was murmurous with that one prayer, that the
Atlantic carried away the sound of it upon its receding waves, and
that the Nile floated it down from village to village through the
Soudan. He ceased to wonder at the indifference, the passivity, the
fatalism, of these mysterious men amongst whom he lived; for he felt
something of that fatalism invading himself.
He continued his search, northwards from the Atlas, escaping here a
band of robbers, there struggling in the whirl of a swollen stream,
listening at night to the cries of the jackals, and yielding to the
witchery of a monotonous Arab flute into which one servant blew a few
yards away, while Hamet, in a high strident voice, chanted a no less
monotonous song. He continued his search almost because "it was
written."
Until on a dull afternoon he came to Mequinez, with its palaces of
dead kings, which rise up one behind the other, draped in golden
lichens, vast roofs stretching away into the distance, green and grey
with the whipping of rains, tower overtopping tower, crumbling
crenellations of wall, silent, oppressive. Each palace shut and barred
after its master was dead, and left so, to frown into decay and make a
habitation for the storks.
To this city Charnock tracked the merchant, and taking up his abode in
the Mellah with a Jew to whom M. Fournier had recommended him, he
walked out through the streets beneath the walls of the palaces,
neither inquiring for the merchant nor scanning the faces of the
passers-by, but wrapped in his burnous, careless of any cry,
impenetrable, unobservant, until he came out of the darkness of a
bazaar, and saw, right before his eyes, a door.
The door was set in a wall perhaps sixty feet high. Charnock could not
see the top for the narrowness of the street. Blank, and menacing in
the sinister light, the wall towered up before his eyes, and reached
out to the right and to the left. And at the foot of the wall was the
door--a door of walnut wood, studded with copper nails, and the nails
were intricately ordered in a geometrical figure, impossible for the
eye to unravel.
Public-domain text, read in full here on John Shaqi.
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