Miranda of the Balcony: A StoryMason, A. E. W. (Alfred Edward Woodley)
General
Miranda of the Balcony: A Story
Mason, A. E. W. (Alfred Edward Woodley)
Fiction
Twenty minutes afterwards she returned with it to the Alameda, where
she found Wilbraham seated on the bench with his Horace in his hand.
He put down the book awkwardly, and rose. He had the grace to feel
some discomfort as he took the cheque, and that discomfort his manner
expressed.
Miranda had no word, no look, for him. He stood perhaps for the space
of a minute fingering the cheque. Then he said suddenly: "I can't
imagine what a woman like you sees in Ralph Warriner to trouble about.
In your place I should have let him go his own way, without paying to
keep him out of prison."
Miranda kept her reasons to herself, as she had done with the reason
of her return to Ronda. She waited for him to go, and he walked
sullenly away--for ten yards. Then he returned, for he had left his
copy of Horace lying upon the bench. He picked it up with a curious
and almost timorous glance of appeal towards Miranda. She did not move
but waited implacably for his departure. Wilbraham worked his
shoulders in discomfort.
"My clothes don't fit and God hates me," he cried irritably. Then this
jack-in-the-box of fortune slunk out of her sight.
CHAPTER IX
SHOWS THE USE WHICH A BLIND MAN MAY MAKE
OF A DARK NIGHT A WEEK
A week after Wilbraham's departure from Ronda, the night fell very dark
at Tangier. In the Sôk outside the city gate, the solitary electric lamp
from its tall mast threw a pale light over a circle of the trampled
grass, but outside the circle all was black. There was no glimmer in
the tents of the shoemakers at the upper corner of the Sôk; nor was
there any stir or noise. For it was past midnight and the world was
asleep--except at one spot on the hill-side above the Sôk, and a
little distance to the right.
There a small villa, standing by itself, shone gaudily in the heart of
the blackness. From its open windows a yellow flood of light streamed
out, and besides the light, the music of a single violin and the
rhythmical beat of feet. There were other noises too, such as the
popping of corks, and much laughter.
Outside the villa, and beyond the range of its light, a man and a boy
sat patient and silent. The man for his sole clothing wore a sack, but
a dark cloak lay on the ground beside him. With his hands he
continually tested a cord twisted from palmetto fibres, as though
doubtful of its strength. At length the door of the villa opened.
"Who comes out?" asked the man.
"A man and a woman," answered the boy.
"Describe the man to me."
"Big, fat--"
"That is enough."
The man and the woman passed through the little garden of the villa,
and walked down across the Sôk towards the city gate. The door opened
again and again. There was a continual sound of leave-taking in
different languages, mostly German and French, and between the man and
the boy the same dialogue was repeated and repeated. Some wore evening
dress, others did not. Some walked across the Sôk, others rode.
Public-domain text, read in full here on John Shaqi.
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