Miranda of the Balcony: A StoryMason, A. E. W. (Alfred Edward Woodley)
General
Miranda of the Balcony: A Story
Mason, A. E. W. (Alfred Edward Woodley)
Fiction
Wilbraham had not erred when he described her as a sentimentalist with
grievances. Sentimentalism was the shallows of her nature, and she had
no depths. Her conversation ran continually upon the "big things," as
she termed them, such as devotion, endurance, self-sacrifice, and the
rest, in which qualities men were singularly deficient. She meant,
however, only devotion to her, endurance of her, self-sacrifice for
her, of which it was not unnatural that men should tire, seeing who it
was that demanded them. Yet she had enjoyed her share, and more than
her share. For though incapable of passion herself, she had in her
youth possessed the trick of inspiring it, but without the power,
perhaps through her own incapacity, of keeping it alive, and no doubt
too because upon a moderate acquaintance she conveyed an impression of
inherent falsity. For, being a sentimentalist, she lived in a false
world, on the borders of a lie, never quite telling it perhaps, and
certainly never quite not telling it. She was by nature exigent, for
she was in her own eyes the pivot of her little world, and for the
wider world beyond, she had no eyes whatever. And her exigence took
amusing or irritating shapes according to the point of view of those
who suffered it. For instance, you must never praise her costumes, of
which she had many, and those worthy of praise, but the high qualities
of her mind, which were few and often of no taste whatever. It should
be added that she had always favoured an inferior before an equal. For
it pleased her above all things to condescend, since she secured thus
a double flattery, in the knowledge of her own condescension, and in
the grateful humility of those to whom she condescended.
It can be foreseen, then, what answers this woman,--who was tall, and
still retained the elegance of her figure, and would have still
retained the good looks of her face, but that it was written upon by
many grievances--would give to Miranda's questions.
"You can trust no men. You must bribe them with cajoleries; you must
play the coquette; you must enlist their vanity. They are all trivial,
and the big things do not appeal to them."
Miranda listened. She was accustomed to Jane Holt, and had no longer a
reasoned conception of her character. Habit had dulled her
impressions. She remembered only that Jane Holt had had much
experience of men wherein she herself was wofully deficient. Jane Holt
embroidered her theme; a pretty display of petulance, the seemingly
accidental disclosure of an ankle, a voluntary involuntary pressure of
the arm, these things had power to persuade the male mind, such as it
is, and to enmesh that worthless thing the male heart.
"One might have a man for a friend, perhaps," suggested Miranda,
hopefully.
"My poor Miranda!" exclaimed Miss Holt. "No wonder your marriage was a
failure. Men pretend friendship for a woman at times, but they mean
something else."
Public-domain text, read in full here on John Shaqi.
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