Great Britain -- History -- Poetry; Shakespeare, William, 1564-1616 -- Sources
[“How like you this my maisters?” quoth[1661] I. “Very well,”
sayd one: “the tragedy excelleth: the inuention also of the
induction, and the descriptions are notable. But wheras hee
fayneth to talke with the princes in hell, that I am sure will
bee mislyked, because it is most certayne, that some of theyr
soules be in heauen. And although hee herein doe follow allowed
poets, in their description of hell, yet it sauoureth so much
of purgatory, which the papistes haue digged thereout, that the
ignorant may thereby bee deceiued.” “Not a whit I warrant you,”
sayd I,[1662] “for hee meaneth not by his hell the place eyther
of damned soules, or of such as lye for their fees, but rather
the graue, wherein the dead bodyes of all sorts of people doe
rest till time of the resurrection. And in this sence is hell
taken often in the scriptures, and in the writings of learned
christians. And so, as hee himselfe hath told mee, hee meaneth,
and so would haue it taken.” “Tush,” quoth[1663] another, “what
stand we here vpon? it is a poesy, and no diuinity: and it is
lawfull for poets to faine what they list, so it bee appertinent
to the matter: and therefore let it passe euen in such sort
as you haue read it.” “With a good will,” quoth[1664] I. “But
whereas you say a poet may faine what he list: in deede me
thinke[1665] it should bee so, and ought to be well taken of the
hearers: but it hath not at all times beene so allowed.” “Yee say
troth,” quoth[1666] the reader: “for here followeth in the story,
that after the death of this duke, one called _Collingbourne_ was
cruelly put to death for making of a rime.” “I haue his tragedy
here,” sayd[1667] I. For the better perceiuing whereof, you must
imagine that you see him a maruailous well fauoured man, holding
in his hand his owne heart, newely ripped out of his breast,
and smoaking forth the liuely spirite: and with his hand,[1668]
beckening to and fro, as it were to warne vs to auoide: and with
his faint tongue and voice, saying as couragiously as bee may,
these words that followe.]
How _Collingbourne_ was cruelly executed
for making a foolish ryme.
1.
Beware, take heede, take heede, beware, beware[1669]
You poets, you, that purpose to rehearce
By any art what tyraunt’s doings are:
_Erynnis_ rage is growne so fell and fearce,
That vicious acts may not be toucht in verse:
The muse’s[1670] freedome, graunted them of elde,
Is barde, slye reasons treasons hye are helde.
2.
Public-domain text, read in full here on John Shaqi.
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