Miscellaneous Pieces, in ProseBarbauld, Mrs. (Anna Letitia)
General
Miscellaneous Pieces, in Prose
Barbauld, Mrs. (Anna Letitia)
English prose literature -- 18th century
Philosophy represents the Deity in too abstracted a manner to engage
our affections. A Being without hatred and without fondness, going
on in one steady course of even benevolence, neither delighted with
praises, nor moved by importunity, does not interest us so much as a
character open to the feelings of indignation, the soft relentings of
mercy, and the partialities of particular affections. We require some
common nature, or at least the appearance of it, on which to build our
intercourse. It is also a fault of which philosophers are often guilty,
that they dwell too much in generals. Accustomed to reduce every thing
to the operation of general laws, they turn our attention to larger
views, attempt to grasp the whole order of the universe, and in the
zeal of a systematic spirit seldom leave room for those particular
and personal mercies which are the food of gratitude. They trace the
great outline of nature, but neglect the colouring which gives warmth
and beauty to the piece. As in poetry it is not vague and general
description, but a few striking circumstances clearly related and
strongly worked up--as in a landscape it is not such a vast extensive
range of country as pains the eye to stretch to its limits, but a
beautiful, well-defined prospect, which gives the most pleasure--so
neither are those unbounded views in which philosophy delights, so much
calculated to touch the heart as home views and nearer objects. The
philosopher offers up general praises on the altar of universal nature;
the devout man, on the altar of his heart, presents his own sighs, his
own thanksgivings, his own earnest desires: the former worship is more
sublime, the latter more personal and affecting.
Public-domain text, read in full here on John Shaqi.
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