Jacques; therefore Mr Mitford bestows on him the strange appellation of John James. Had Mr Mitford undertaken a History of any other country than Greece, this propensity would have rendered his work useless and absurd. His occasional remarks on the affairs of ancient Rome and of modern Europe are full of errors: but he writes of times with respect to which almost every other writer has been in the wrong; and, therefore, by resolutely deviating from his predecessors, he is often in the right. Almost all the modern historians of Greece have shown the grossest ignorance of the most obvious phenomena of human nature. In their representations the generals and statesmen of antiquity are absolutely divested of all individuality. They are personifications; they are passions, talents, opinions, virtues, vices, but not men. Inconsistency is a thing of which these writers have no notion. That a man may have been liberal in his youth and avaricious in his age, cruel to one enemy and merciful to another, is to them utterly inconceivable. If the facts be undeniable, they suppose some strange and deep design, in order to explain what, as every one who has observed his own mind knows, needs no explanation at all. This is a mode of writing very acceptable to the multitude who have always been accustomed to make gods and daemons out of men very little better or worse than themselves; but it appears contemptible to all who have watched the changes of human character--to all who have observed the influence of time, of circumstances, and of associates, on mankind--to all who have seen a hero in the gout, a democrat in the church, a pedant in love, or a philosopher in liquor. This practice of painting in nothing but black and white is unpardonable even in the drama. It is the great fault of Alfieri; and how much it injures the effect of his compositions will be obvious to every one who will compare his Rosmunda with the Lady Macbeth of Shakspeare. The one is a wicked woman; the other is a fiend. Her only feeling is hatred; all her words are curses. We are at once shocked and fatigued by the spectacle of such raving cruelty, excited by no provocation, repeatedly changing its object, and constant in nothing but in its in-extinguishable thirst for blood.