Miss Ayr of Virginia, & other storiesMagruder, Julia
General
Miss Ayr of Virginia, & other stories
Magruder, Julia
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
To look into Rose-Jewel’s great delighted eyes, across his violin, and
to see them gleam and glow with an emotion that corresponded absolutely
to his, was, he thought, as keen a pleasure as he, or mortal man beside
had ever known.
In time it became a positive, thrilling, marvelous certainty that
Rose-Jewel had a voice--a clear, true, strong little voice that gave
magnificent promise. Then came the other delight, when she was older,
of teaching her to strike little melodies on the piano, and even to put
her baby fingers on certain simple chords, as an accompaniment to her
father’s violin. The very first time he made this effort, she caught
at it with a quickness and delight which made his breath come almost
suffocatingly. It became, after that, a part of their daily routine,
to practice together. She was old enough to talk coherently now, and
he often feared that she might betray their secret, but she seemed to
have some wonderful intuition of the truth, and never even sang, except
when alone with him.
What hours of stolen rapture the two culprits had together! Sometimes
they wandered off and sat on the banks by the river-side, and sometimes
he lifted her into the little boat, and, while she held the dear violin
safely and reverently, he would row off into the stream, and there play
to her while they drifted gently about. In this freedom of isolation
he could play as it was impossible to play near the house, with an
abandon of pleasure which set the child nearly wild with delight. Here,
too, he would test and exercise her voice, with the greatest care not
to strain it, and here, unseen by any eyes but those of the birds and
the squirrels, they would put their arms around each other’s neck and
give way to a passion of tenderness of which both the child as well
as the man, would have been incapable in the presence of others. They
were completely happy hours--happy enough to atone for every pain and
deprivation which the past had held for him, or the future might have
in store.
He did not complain of the past, any more than he feared the future
for himself. His one thought was the child. When he speculated on her
life to come, a timorous dread would, in spite of him, mix with the
enthusiastic expectations of her dazzling success in the musical world.
He would feast his imagination for hours, on the thought of this. It
was not the splendor of music halls, nor the applause of audiences that
he coveted for his darling. It was the power to touch the hearts of men
and women, and to incite them to deeds of nobleness and strength, that
should re-echo through the world.
Public-domain text, read in full here on John Shaqi.
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