Miss Ayr of Virginia, & other storiesMagruder, Julia
General
Miss Ayr of Virginia, & other stories
Magruder, Julia
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
A cart and horse were drawn up to the sidewalk, and in this light
wagon was a small, upright piano. The instrument was open, and a man
with a small black mask concealing that part of the face which was
not hidden by a black beard, sat on the stool before it, waiting.
Randall had seen this sort of thing in London, but it was new to him
here. It had no interest for him, however, and he would not have given
the thing another thought had not the woman’s figure, which he was
watching, crossed directly over to this cart and the man before the
piano recognized her with a gesture of satisfaction. He further saw her
go straight to the side of the cart, where she paused a moment to take
off her veil, revealing the fact that she was masked, also. A close
covering of black satin hid the upper part of her face, and a frill of
black lace concealed the mouth and chin. The disguise was absolute, and
he could have formed no idea of the appearance of the woman, had it not
been for the vivid image stamped upon his memory.
He felt a sense of shock at seeing her placed in such a position--a
girl with a face like that, a common street singer! True, the face was
hidden from view, but that air of concealment and mystery made it seem
almost worse. He rebelled, evidently, too, against the thought of the
man with his shabby clothes and unkempt beard. He had half a mind to
turn and fly, but if she was going to sing he must hear her voice. If
it should not match her face, he would be bitterly disappointed--but
if, on the other hand, it should, how could he bear her being in such a
situation as the present one?
As he saw the tall, slight figure mount into the cart, Randall felt
so really agitated over the issue ahead of him, that he sank upon one
of the benches in the square and waited with intense interest for the
music to begin. Some chords were struck upon the piano, introducing a
brief prelude, which the masked man executed in a way that proved him,
to Randall’s cultivated ear, to be a well-trained pianist. But while
the young man recognized this fact, he looked only at the woman. She
wore above her mask a hat with a little brim, under which her hair was
all concealed, and between this and the shape of the mask, which was so
made as to stand a little out from the upper part of the face, he could
not catch even a glimpse of her eyes. Randall had a swift mental vision
of the loveliness, pureness, ideality of that hidden face, that stirred
his heart with a vague sweetness, when suddenly upon this tender mood
there fell a sound which made a discord in the harmony.
Public-domain text, read in full here on John Shaqi.
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