Miss Billy — MarriedPorter, Eleanor H. (Eleanor Hodgman)
General
Miss Billy — Married
Porter, Eleanor H. (Eleanor Hodgman)
Domestic fiction; Marriage -- Fiction; Married women -- Fiction
Then came the turning point when the universe itself appeared to
hang upon a baby's breath. Gradually, almost imperceptibly, came the
fluttering back of the tiny spirit into the longing arms stretched so
far, far out to meet and hold it. And the father and the mother, looking
into each other's sleepless, dark-ringed eyes, knew that their son was
once more theirs to love and cherish.
When two have gone together with a dear one down into the Valley of the
Shadow of Death, and have come back, either mourning or rejoicing, they
find a different world from the one they had left. Things that were
great before seem small, and some things that were small seem great.
At least Bertram and Billy found their world thus changed when together
they came back bringing their son with them.
In the long weeks of convalescence, when the healthy rosiness stole
bit by bit into the baby's waxen face, and the light of recognition and
understanding crept day by day into the baby's eyes, there was many a
quiet hour for heart-to-heart talks between the two who so anxiously and
joyously hailed every rosy tint and fleeting sparkle. And there was
so much to tell, so much to hear, so much to talk about! And always,
running through everything, was that golden thread of joy, beside which
all else paled--that they had Baby and each other. As if anything else
mattered!
To be sure, there was Bertram's arm. Very early in their talks Billy
found out about that. But Billy, with Baby getting well, was not to be
daunted, even by this.
“Nonsense, darling--not paint again, indeed! Why, Bertram, of course you
will,” she cried confidently.
“But, Billy, the doctor said,” began Bertram; but Billy would not even
listen.
“Very well, what if he did, dear?” she interrupted. “What if he did
say you couldn't use your right arm much again?” Billy's voice broke
a little, then quickly steadied into something very much like triumph.
“You've got your left one!”
Bertram shook his head.
“I can't paint with that.”
“Yes, you can,” insisted Billy, firmly. “Why, Bertram, what do you
suppose you were given two arms for if not to fight with both of them?
And I'm going to be ever so much prouder of what you paint now, because
I'll know how splendidly you worked to do it. Besides, there's Baby. As
if you weren't ever going to paint for Baby! Why, Bertram, I'm going to
have you paint Baby, one of these days. Think how pleased he'll be to
see it when he grows up! He's nicer, anyhow, than any old 'Face of a
Girl' you ever did. Paint? Why, Bertram, darling, of course you're going
to paint, and better than you ever did before!”
Bertram shook his head again; but this time he smiled, and patted
Billy's cheek with the tip of his forefinger.
Public-domain text, read in full here on John Shaqi.
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