Miss Billy's DecisionPorter, Eleanor H. (Eleanor Hodgman)
General
Miss Billy's Decision
Porter, Eleanor H. (Eleanor Hodgman)
Love stories; Man-woman relationships -- Fiction
Some three or four miles away down Beacon Street at that moment Bertram
Henshaw, in the Strata, was, as it happened, not falling asleep. He was
lying broadly and unhappily awake Bertram very frequently lay broadly
and unhappily awake these days--or rather nights. He told himself, on
these occasions, that it was perfectly natural--indeed it was!--that
Billy should be with Arkwright and his friends, the Greggorys, so much.
There were the new songs, and the operetta with its rehearsals as a
cause for it all. At the same time, deep within his fearful soul was the
consciousness that Arkwright, the Greggorys, and the operetta were but
Music--Music, the spectre that from the first had dogged his footsteps.
With Billy's behavior toward himself, Bertram could find no fault. She
was always her sweet, loyal, lovable self, eager to hear of his work,
earnestly solicitous that it should be a success. She even--as he
sometimes half-irritably remembered--had once told him that she realized
he belonged to Art before he did to himself; and when he had indignantly
denied this, she had only laughed and thrown a kiss at him, with the
remark that he ought to hear his sister Kate's opinion of that matter.
As if he wanted Kate's opinion on that or anything else that concerned
him and Billy!
Once, torn by jealousy, and exasperated at the frequent interruptions of
their quiet hours together, he had complained openly.
“Actually, Billy, it's worse than Marie's wedding,” he declared, “_Then_
it was tablecloths and napkins that could be dumped in a chair. _Now_
it's a girl who wants to rehearse, or a woman that wants a different
wig, or a telephone message that the sopranos have quarrelled again. I
loathe that operetta!”
Billy laughed, but she frowned, too.
“I know, dear; I don't like that part. I wish they _would_ let me alone
when I'm with you! But as for the operetta, it is really a good thing,
dear, and you'll say so when you see it. It's going to be a great
success--I can say that because my part is only a small one, you know.
We shall make lots of money for the Home, too, I'm sure.”
“But you're wearing yourself all out with it, dear,” scowled Bertram.
“Nonsense! I like it; besides, when I'm doing this I'm not telephoning
you to come and amuse me. Just think what a lot of extra time you have
for your work!”
“Don't want it,” avowed Bertram.
“But the _work_ may,” retorted Billy, showing all her dimples. “Never
mind, though; it'll all be over after the twentieth. _This_ isn't an
understudy like Marie's wedding, you know,” she finished demurely.
“Thank heaven for that!” Bertram had breathed fervently. But even as he
said the words he grew sick with fear. What if, after all, this _were_
an understudy to what was to come later when Music, his rival, had
really conquered?
Public-domain text, read in full here on John Shaqi.
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