It was a rainy November night. A soft continuous downpour was soaking the
London streets, without, however, affecting their animation or the
nocturnal brightness of the capital, for the brilliance of the gas-lamps
was flashed back from innumerable patches of water, and every ray of
light seemed to be broken by the rain into a hundred shimmering
reflections. It was the hour when all the society of which an autumnal
London can boast is in the streets, hurrying to its dinner or its
amusements, and when the stream of diners-out, flowing through the
different channels of the west, is met in all the great thoroughfares by
the stream of theatre-goers setting eastward.
The western end of D---- Street was especially crowded, and so was the
entrance to a certain narrow street leading northwards from it, in which
stood the new bare buildings of the _Calliope_. Outside the theatre
itself there was a dense mass of carriages and human beings, only kept in
order by the active vigilance of the police, and wavering to and fro with
kaleidoscopic rapidity. The line of carriages seemed interminable, and,
after those who emerged from them had run the gauntlet of the dripping,
curious, good-tempered multitude outside, they had to face the sterner
ordeal of the struggling well-dressed crowd within, surging up the double
staircase of the newly-decorated theatre. The air inside was full of the
hum of talk, and the whole crowd had a homogeneous, almost a family air,
as though the contents of one great London _salon_ had been poured into
the theatre. Everybody seemed to know everybody else; there were
politicians, and artists, and writers of books, known and unknown; there
were fair women and wise women and great ladies; and there was that large
substratum of faithful, but comparatively nameless, persons on whom a
successful manager learns to depend with some confidence on any first
night of importance.
Public-domain text, read in full here on John Shaqi.
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