Fernan Perez, having set the intrigue on foot which is to wreck the love
of Macias and Elvira, had just risen from his seat, when Wallace, who was
watching the stage in a torment of mingled satisfaction and despair,
touched Madame de Châteauvieux's arm.
'_Now_!' he said. 'That door to the left.'
Kendal, catching the signal, rose from his seat behind Madame de
Châteauvieux and bent forward. The great door at the end of the palace
had slowly opened, and gliding through it with drooping head and hands
clasped before her came Elvira, followed by her little maid Beatriz. The
storm which greeted her appearance was such as thrilled the pulses of the
oldest _habitué_ in the theatre. Tears came to Madame de Châteauvieux's
eyes, and she looked up at her brother.
'What a scene! It is overpowering--it is too much for her! I wish they
would let her go on!'
Kendal made no answer, his soul was in his eyes; he had no senses for any
but one person. _She_ was there, within a few yards of him, in all the
sovereignty of her beauty and her fame, invested with the utmost romance
that circumstances could bestow, and about, if half he heard were true,
to reap a great artistic, no less than a great personal triumph. Had he
felt towards her only as the public felt it would have been an experience
beyond the common run, and as it was--oh, this aching, intolerable sense
of desire, of separation, of irremediable need! Was that her voice? He
had heard that tone of despair in it before--under over-arching woods,
when the June warmth was in the air! That white outstretched hand had
once lain close clasped in his own; those eyes had once looked with a
passionate trouble into his. Ah, it was gone for ever, nothing would ever
recall it--that one quick moment of living contact! In a deeper sense
than met the ear, she was on the stage and he among the audience. To the
end his gray life would play the part of spectator to hers, or else she
would soon have passed beyond his grasp and touch, just as Elvira would
have vanished in a little while from the sight of the great audience
which now hung upon her every movement.
Then from the consciousness of his own private smart he was swept out,
whether he would or no, into the general current of feeling which was
stirring the multitude of human beings around him, and he found himself
gradually mastered by considerations of a different order altogether. Was
this the actress he had watched with such incessant critical revolt six
months before? Was this the half-educated girl, grasping at results
utterly beyond her realisation, whom he remembered?
Public-domain text, read in full here on John Shaqi.
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