Miss Cheyne of Essilmont, Volume 2 (of 3)Grant, James
General
Miss Cheyne of Essilmont, Volume 2 (of 3)
Grant, James
Fiction
For some time past his lordship had cunningly dropped the _rôle_ of
lover and adopted that of friend, perhaps to throw Alison off her
guard, and as he did not--as some old fellows do--act 'the paternal'
part, to a certain extent she became so, and her normal state or
feeling of defiance and dislike was dulled for a time.
Thus her face looked calm and placid, with a curiously pathetic
expression, and her eyes had at times a far-away look in them that
gave Sir Ranald a strange dull pain in his heart, especially one
evening, when, taking grapes one by one from a plate of painted
Antwerp china-ware, she fed him playfully as a nurse might a child.
'Bird Ailie,' said he, 'my dear bird Ailie.'
He saw how her hand looked quite transparent, and a pang of dismay
smote his heart.
'You are not well, darling,' said he.
'Oh, yes, papa,' she replied, with affected cheerfulness, 'I am very
well; but oh, if we were only home again out of this foggy Antwerp.
I think I could wheel you about in a bath chair as well as old
Archie, were we only home to----'
'_Where?_' he asked, sharply. 'But I must take care of you now for
my own sake. This confinement is killing you; go out somewhere,
anywhere under Cadbury's escort.'
But Alison shook her head. As yet she had seen nothing of the famous
city of Antwerp, though she could not look forth from her windows in
the quaint Place Verte, or along the Marché aux Souliers, with all
its shops, without a longing to explore, everything seemed so
strange, so striking; for, as Sir Walter Scott wrote truthfully and
graphically, 'it is in the streets of Antwerp and Brussels that the
eye rests upon the forms of architecture which appear in the pictures
of the Flemish school--those fronts richly decorated with various
ornaments, and terminating in roofs, the slope of which is concealed
from the eye by windows and gables still more highly ornamented; the
whole comprising a general effect which, from its grandeur and
intricacy, at once amuses and delights the spectator. In fact, this
rich intermixture of towers and battlements and projecting windows,
highly sculptured, joined to the height of the houses and the variety
of ornaments upon their fronts, produce an effect as superior to
those of the tame uniformity of a modern street as the casque of a
warrior exhibits over the slouched, broad-brimmed beaver of a Quaker.'
Another remarkable feature in the Belgian streets is the enormous
height of the front doors, with rings and knockers of brass often
more than a foot in diameter.
Lord Cadbury had received a card of invitation _pour milord et ses
dames_ to a _Redoute monstre et fête de nuit_ at the Théâtre des
Variétés, where there was to be a species of _bal masqué_ in the
great saloon, and on the stage a 'Kermesse Flamande, Fête
Venitienne,' as it was announced, and he treated Sir Ranald's
permission to take Alison with him, simply as a spectator in her
street costume.
Public-domain text, read in full here on John Shaqi.
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