Miss Cheyne of Essilmont, Volume 2 (of 3)Grant, James
General
Miss Cheyne of Essilmont, Volume 2 (of 3)
Grant, James
Fiction
Not a cab was to be seen, nor a gendarme; the wind was keen, the snow
falling heavily, and, like 'Policeman X' and other guardians of the
night, the gendarmes had betaken themselves to some cosy estaminet,
or sought the hospitality of friendly kitchens and confiding
cookmaids.
Which way was she to turn? where seek aid or shelter? She closed her
little hands in terror and dismay, and, while shuddering with cold,
suddenly a chorus burst upon her ear, and, before she could think
which way to turn, a dozen of great fellows in kepis, blouses, and
sabots, fresh from some estaminet, surrounded her, with shouts and
mockery.
One put an arm round her and tried to kiss her, tearing away her
veil; but endued with strength beyond herself, by the extremity of
her terror, she dashed him back with both her hands.
'God help me!' she exclaimed.
And hemming her in by a ring, they danced round her hand in hand,
singing a song, which, as it was in Flemish and unknown to her, she
supposed was something very ribald and horrible, yet it was only
thus:--
'Hark to the sound
Of the fiddle and horn,
The dance and the song--
'Tis a festal morn.
Oh! little they reck of dull care
Or of sorrow;
They laugh for the day
Though they weep on the morrow.'
'Ouf!' shouted one, 'that would make a grand pendant to the _Zeike
Jongeling_,' referring to Jan Van Beers, the greatest lyric poet of
the day.
'Une blonde English mees--une nymphe--_parbleu_!' cried one fellow.
'_Sommes-nous fantastiques! N'est-elle pas jolie_! ('Isn't she
pretty!') cried another.
'_Sur mon honneur, ma belle coquette!_' cried a third, making a
clutch at her.
Others shouted strange things in Flemish, showing that they were
boors or artizans, redolent of garlic, beer, and tobacco; but with a
gasping sob of terror she broke away from them and fled again. She
heard the clatter of sabots behind her, as some started in pursuit;
but she was too swift for them, and the sound soon died away in the
distance.
Along the dark and now silent streets she ran, close past the great
doors of innumerable houses, as there are no areas or front garden
plots in Antwerp, where the entrances open directly off the
footpaths. Many a bell-handle and many a large knocker--lion's heads
and bull's heads as large as life--were within her reach; but,
fearing to be roughly or coarsely repulsed, she dared touch neither.
She passed a church of vast height and colossal proportions--St.
Jacques, though she knew it not--where Rubens lies under a slab of
spotless white marble. There were few lamps in the streets in this
quarter, and the oil lanterns before the Madonnas perched on stone
brackets at the street corners, swung dimly and mournfully to and fro
in the sleety and snowy wind.
She felt an apparently mortal chill in her heart; her whole clothes
were now soaked with sleet by her falling once or twice as she
slipped.
Public-domain text, read in full here on John Shaqi.
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