Authors, English -- 19th century -- Correspondence; Eden, Emily, 1797-1869 -- Correspondence
Think of the agonies of coming here last Monday doubtful if we were
expected or not! _Il Fanatico per la Musica_ (by which form of words I
opine that the Italians translate: Lord Lansdowne) passed last week at
the Gloucester music meeting, so he did not receive George’s letter in
proper time, and of course there was some mistake about his answer, as
there always is about any letter that signifies, and so we did not know
if this week suited them. A warm reception from her is in the best of
times doubtful, and arriving against her wish would have been horribly
degrading. George never will enter into those sort of feelings, but that
only makes them worse. However, he promised, if he found we had not been
expected, to go on to Bath, and then we had a beautiful wild scheme, if
I could have made my mind up to twelve hours’ steam-boat, of going from
Bristol to see Elizabeth Cawdor.[227] But unfortunately we found our
rooms here all ready, so we shall not see Wales this year. The
Lansdownes were quite alone, expecting us, and she in the most cordial
affectionate state; the place, which I have never seen but at Christmas,
quite beautiful, and in short, I never liked Bowood half so much before.
That was sure to be the consequence of expecting to dislike it.
Our Newton we have overtaken here again. He left the Grange rather in a
huff some days ago, affronted somehow about his singing (at least so I
heard, for I was not in the room to hear it); but he went away suddenly
and ungraciously. I certainly don’t like him, he is so argumentative,
and talks so much of himself. His opinion of your brother George amused
me particularly. He raves about you, but sensibly and properly, and
calls you Miss Villiers. I have not a notion what line you take when
you praise me, but he will distrust your judgment in future whatever you
said, for he is one of the people to whom I must be odious. I go and
look at his picture of “Macheath,” which is in the drawing-room here,
and which I think one of the best modern pictures I know, and collect a
large mass of esteem and admiration for the painter, and rush into the
library and address myself to him while it is all smoking hot; and
before I have been five minutes there, all my good opinion turns sour
and bitter and tough and cold, and he might just as well never have
painted the picture at all.
Public-domain text, read in full here on John Shaqi.
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