"Montagu has a curiously analytic mind," said Mr. Wycherly slowly, "and a passionate longing for pleasantness and gaiety. It is probably inherited. You remember dear Archie loved cheerfulness, and perhaps that poor young mother—a Cornish girl, if I remember rightly—perhaps she, too, had the Southern love of colour and brightness in life. We are old people to have to do with children, Miss Esperance, and I—perhaps my aim has been too exclusively to teach Montagu to love study by making the approach to it as pleasant as possible. It is a great temptation, for I find him so docile, so receptive, so eager to please. But perhaps I have been wrong—though Socrates would bear me out. It is pleasant to wander in the Elysian fields with a young boy—but if you think—" Mr. Wycherly’s voice had dropped almost to a whisper, and here he paused altogether. He seemed to have been talking to himself rather than to Miss Esperance, and to be looking past her into that pleasaunce of memory which is the priceless heritage of the old. Miss Esperance did not interrupt him, and presently he went on again. "Perhaps the recollection of my own mother that is clearest to me is that of seeing her come dancing down a garden path toward me. To me now she seems so inexpressibly young, and gay, and gracious; and I have remembered her more distinctly lately, because the other day when I was reading with Montagu that portion of the Odyssey which describes Nausicaa at play among her maidens, he interrupted me to exclaim: ’_My_ mother was like that, so beautiful!’ Now he has never spoken to me of his mother before. I did not even know that he remembered her, and it has made me think of how distinctly I remember my own. She was not five and twenty when she died." Miss Esperance sat upright in Mr. Wycherly’s chair, the lamplight falling full on her troubled face. In spite of her ready sympathy, a sympathy so spontaneous that it seemed to give itself at all times independently of her volition, she felt that her dear old friend was wandering from the real question at issue. It was all very well to point out that Montagu loved beauty. She was perfectly aware of it herself, and it was not without an agreeable thrill that she recalled a little scene enacted that very evening. Montagu, according to custom, had been reading aloud to her from one of the very "Gilt-Books" Mr. Wycherly had mentioned, when the child came upon the somewhat gratuitous and ungrammatical assertion with regard to the fleeting character of personal beauty: "People’s faces soon alter; when they grow old, nobody looks handsome." Then Montagu brought his fist down on the page with a thump, declaring indignantly: "That’s nonsense! You and Mr. Wycherly are both old—and you are quite beautiful. There’s a beautiful oldness as well, don’t you think so, Aunt Esperance?"