Miss Esperance was visibly affected; and of the three young men in the
Manse seat, one laid his head down on his crossed arms, but he assuredly
was not sleeping.
When the service was over and Mr. Wycherly and Miss Esperance were
walking home, she said timidly: "It was a beautiful discourse, don’t you
think?"
"I think," said Mr. Wycherly, "that he preached that sermon for his
wife; and that it will be remembered when all his other sermons are
forgotten. I am glad to have been there."
That afternoon the little boys took their Sunday picture-books into the
garden and sat on the grass under the alder tree; Mr. Wycherly, too, sat
in a garden chair reading a sober-looking calf-bound book.
Miss Esperance had returned from afternoon church, but she was so tired
and upset that Elsa persuaded her for once to go and lie down in her
room, and the children were warned not to disturb their aunt.
Edmund’s book was a large Bible Alphabet with gaily-coloured pictures,
which Miss Maggie Moffat had given him at the New Year. Montagu had
brought out "Peep of Day," a work he detested, but choice on the Sabbath
was limited in the house of Miss Esperance, so he looked at the "Child’s
Bible Alphabet" with Edmund, and so often had they pored over the volume
that they were familiar with all the characters from Abraham to
Zacchaeus.
Presently Edmund shut the book with a bang. "I shall know all these
folks when I meet ’em, anyway," he said decidedly. "I’ve looked at ’em
and looked: I’ve had enough of seeing them, Isaac and Noah and Jacob and
Mrs. Potiphar and that dancing woman, Miriam—none of them very handsome,
either," Edmund continued discontentedly. "Oh, I do wish the Sabbath
was over, it’s such a long, long day."
"I wonder," said Montagu musingly, "why the Bible people are always so
ugly in pictures; so red and blue: real people aren’t as ugly as that
even if they are a bit plain. Can you tell how it is, Guardie, dear?
D’you suppose they’re really like the people in Edmund’s book?"
"I expect," Mr. Wycherly said cautiously, laying down his "Alcestis" and
smiling at Montagu’s earnest upturned face, "that they were very like
the people we see every day, some neither very handsome nor very plain.
Some beautiful and delightful."
"I shall be disappointed," Edmund remarked, "if, after all, they turn
out to be different from what they are in my book, after I’ve taken so
much trouble to know them when Aunt Esperance covers the little poem at
the bottom and the letter. You do think they’ll be like they are here,
don’t you?" he asked anxiously.
"I fear not," Mr. Wycherly said, shaking his head. "We can’t tell what
they were like. You see, the artists who made the pictures in your book
could only give their idea of the people they wished to represent——"
"Then they aren’t kind of fortygraphs!" Edmund exclaimed aghast. "I
sha’n’t really know them when I meet them, after all—they may be quite
different! What a shame!"
Public-domain text, read in full here on John Shaqi.
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