Bildungsromans; Love stories; Young women -- England -- Fiction
"I should like to know what right she had to be kind to me," cried
Barbara, all glowing in her sullen but excited beauty; "and invite me
there, and introduce me in her grand way, as if she was any better than
I am! And then to look at all her India muslins; but I knew it would be
different as soon as I had a decent dress," said the contralto, rising
up to contemplate herself in the little mirror over the mantelpiece.
This conversation took place in Mr Lake's little parlour, where Rose had
been waiting for her sister, and where Barbara's white dress made an
unusual radiance in the dim and partially-lighted room. Rose herself was
all shrouded up in her morning dress, with her pretty round arms and
shoulders lost to the common view. She had been amusing herself as she
waited by working at a corner of that great design which was to win the
prize on a later occasion. Readers of this history who have studied the
earlier chapters will remember that Rose's tastes in ornamentation were
very clearly defined for so young a person. Instead of losing herself in
vague garlands of impossible flowers, the young artist clung with the
tenacity of first love to the thistle leaf, which had been the
foundation of her early triumphs. Her mind was full of it even while she
received and listened to Barbara; whether to treat it in a national
point of view, bringing in the rose and shamrock, which was a perfectly
allowable proceeding, though perhaps not original--or whether she should
yield to the "sweet feeling" which had been so conspicuous in her
flounce, in the opinion of the Marlborough House gentlemen--or whether,
on the contrary, she should handle the subject in a boldly naturalistic
way, and use her spikes with freedom,--was a question which occupied at
that moment all Rose's faculties. Even while she asked Barbara what the
subject was on which Lucilla might be supposed to be excited, she was
within herself thinking out this difficult idea--all the more difficult,
perhaps, considering the nature of the subject, since the design in this
case was not for a flounce, in which broad handling is practicable, but
for a veil.
"I wish you would not talk in that foolish way," said Rose; "nobody need
be any better than you, as you say. To be sure, we don't live in Grange
Lane, nor keep a carriage; but I wish you would recollect that these are
only accidental circumstances. As for dress, I don't see that you
require it; our position is so clearly defined; we are a family of----"
Public-domain text, read in full here on John Shaqi.
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