Bildungsromans; Love stories; Young women -- England -- Fiction
Somebody drew a long breath at the table when the Archdeacon obeyed Miss
Marjoribanks's injunction. More than one person caught the sound, but
even Lucilla's keen eyes could not make out beyond controversy from whom
it proceeded. To be sure, Lucilla's mind was in a most curious state of
tumult and confusion. She was not one of the people who take a long time
to form their conclusions; but the natural conclusion to which she felt
inclined to jump in this case was one so monstrous and incredible that
Miss Marjoribanks felt her only safeguard in the whirl of possibilities
was to reject it altogether, and make up her mind that it was
impossible; and then all the correspondences and apparent corroborations
began to dance and whirl about her in a bewildering ring till her own
brain seemed to spin with them. She was as much afraid lest the
Archdeacon by some chance should fall upon a really individual feature
which the world in general could identify, as if she had had any real
concern in the matter. But then, fortunately, there was not much chance
of that; for it was one of Lucilla's principles that men never can
describe each other. She listened, however, with such a curious
commotion in her mind, that she did not quite make out what he was
saying, and only pieced it up in little bits from memory afterwards. Not
that it was a very dreadful story. It was not a narrative of robbery or
murder, or anything very alarming; but if it could by any possibility
turn out that the man of whom Mr Beverley was speaking had ever been
received in society in Carlingford, then it would be a dreadful blow to
the community, and destroy public confidence for ever in the social
leaders. This was what Lucilla was thinking in her sudden turmoil of
amazement and apprehension. And all this time there was another person
at table who knew all about it twenty times better than Lucilla, and
knew what was coming, and had a still more intense terror lest some
personal detail might drop from the Archdeacon's lips which the public
in general would recognise. Mr Beverley went on with his story with a
curious sort of personal keenness in his way of telling it, but never
dreaming for a moment that anybody that heard him was disturbed or
excited by it. "He has a mark on his face," the Archdeacon said--but
here Miss Marjoribanks gave a little cry, and held up both her hands in
dismay.
Public-domain text, read in full here on John Shaqi.
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