Bildungsromans; Love stories; Young women -- England -- Fiction
But these soothing tones were too much for Rose's composure. She cried,
and her cheeks flushed, and her dewy eyes enlarged and lightened when
they had thrown off a little part of their oppression in the form of
those hot salt tears. Miss Marjoribanks had never seen her look so
pretty, and said so to herself, with a momentary and perfectly
disinterested regret that there was "nobody" to see her--a regret which
probably changed its character before Rose left the house. But in the
meantime Lucilla soothed her and kissed her, and took off her hat and
shed her pretty curls off her forehead. These curls were not by any
means so strong and vehement in their twist as Miss Marjoribanks's own,
but hung loosely and softly with the "sweet neglect" of the poet. "You
would look very nice if you would take a little pains," Lucilla said, in
her maternal way. "You must wear your hair just so on Thursday; and now
tell me all about it--there's a dear."
"Lucilla, _you know_" said Rose, drying her tears, "she has taken to
going out in the evening, and I am sure she meets him every night. I
can't be a spy on her, whatever she does, and I can't lock her up, you
know, or lock the door, or anything like that. I am not her mother,"
said the poor little sister pathetically, with a regretful sob. "And
then she has taken to making herself _nice_ before she goes out. I don't
think she ever cared much for being nice--not at home, you know; but now
she has pretty collars and gloves and things, and I can't tell where she
gets them," cried Rose, her eyes lighting up passionately. "She has no
money to spend on such things. Lucilla, I should die if I thought she
would accept them from _him_."
"You dear old Rose, you don't know what you are saying," said the
experienced Lucilla; "most likely, if she meets a gentleman, she is
engaged to him; and They always give people presents, you know. If you
would only tell me who it is."
"Lucilla, do not trifle with me," said Rose; "it is much too serious for
that--engaged without papa knowing of it, nor me! You know very well
that would be no engagement. I sometimes think she is--is--fond of him,"
said the reverent little maiden, whose voice changed and softened under
the influence of that supposition; "and then again I think it is only
because he is rich," she went on, with new vehemence. "Oh, Lucilla, if
you only knew how dreadful it was to have such thoughts--and there is
nobody to take care of her but me! Papa cannot be worried, for that
would react upon everything. An artist is not just like other people. It
is everybody's duty to leave him undisturbed; and then, you know, he is
only a man, and does not understand; and if she won't pay any attention
to me when I speak to her, oh, Lucilla, tell me, what can I do?"
"Let me think," said Lucilla gravely. "You know I can't tell all in a
moment. It is Mr Cavendish, I suppose, though you won't say so. Now just
wait a moment, and let me think."
Public-domain text, read in full here on John Shaqi.
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