Then, with the sliding ease which obtains when fancy is the stage director, the scene shifted. Vast, elaborately beautiful grounds rolled majestically up to a large, ivy-draped house, which had turrets like a castle--very picturesque. At the entrance was a flight of wide stone steps, overlaid, now, with red carpet and canopied with a striped awning. For the mistress was entertaining some of the nation's notables. In the lofty hall and spacious rooms glided numberless men-servants in livery, taking the wraps of the guests, passing refreshments, and so forth. The guests were very distinguished-looking, all the men in dress suits and appearing just as much at home in them as Ridgeley Holman Dobson had, that night on the Opera House stage. Yes, and he was there, in Missy's vision, handsomer than ever with his easy smile and graceful gestures and that kind of intimate look in his dark eyes, as he lingered near the hostess whom he seemed to admire. All the women were in low-cut evening dresses of softly-tinted silk or satin, with their hair gleaming in sleek waves and long ear-rings dangling down. The young hostess wore ear-rings, also; deep-blue gems flashed out from them, to match her trailing deep blue velvet gown--Raymond Bonnet had once said Missy should always wear that special shade of deep blue. Let us peep at the actual Missy as she sits there dreaming: she has neutral-tinted brown hair, very soft and fine, which encircles her head in two thick braids to meet at the back under a big black bow; that bow, whether primly-set or tremulously-askew, is a fair barometer of the wearer's mood. The hair is undeniably straight, a fact which has often caused Missy moments of concern. (She used to envy Kitty Allen her tangling, light-catching curls till Raymond Bonner chanced to remark he considered curly hair “messy looking”; but Raymond's approval, for some reason, doesn't seem to count for as much as it used to, and, anyway, he is spending the summer in Michigan.) However, just below that too-demure parting, the eyes are such as surely to give her no regret. Twin morning-glories, we would call them-grey morning-glories!--opening expectant and shining to the Sun which always shines on enchanted seventeen. And, like other morning-glories, Missy's eyes are the shyest of flowers, ready to droop sensitively at the first blight of misunderstanding. That is the chiefest trouble of seventeen: so few are there, especially among old people, who seem to “understand.” And that is why one must often retire to the summerhouse or other solitary places where one can without risk of ridicule let one's dreams out for air.