That evening at supper-time, Missy noticed that mother walked down the
block to meet father, and seemed to be talking earnestly with him
on their way toward the house. Missy hadn't much dreaded father's
opposition. He was an enormous, silent man and the young people stood
in a certain awe of him, but Missy, somehow, felt closer to him than to
most old people.
When he came up the steps to the porch where she waited, blushing and
palpitant but withal feeling a sense of importance, he greeted her
jovially. “Well, I hear we've got a full-fledged writer in our midst!”
Missy's blush deepened.
“What _I_ want to know,” father continued, “is who's going to darn my
socks? I'm afraid socks go to the dickens when genius flies in at the
window.”
As Missy smiled back at him she resolved, despite everything, to keep
father's socks in better order than ever before.
During supper the talk kept coming back to the theme of her Work, but
in a friendly, unscoffing way so that Missy knew her parents were
really pleased. Mother mentioned Mrs. Brooks's “bridge” Thursday
afternoon--that might make a good write-up. And father said he'd get her
a leather-bound notebook next day. And when, after supper, instead of
joining them on the porch, she brought tablet and pencil and a pile of
books and placed them on the dining-table, there were no embarrassing
comments, and she was left alone with her thrills and puzzlements.
Among the books were Stevenson's “Some Technical Considerations of
Style,” George Eliot's “Romola” and Carlyle's “Sartor Resartus”; the
latter two being of the kind that especially lifted you to a mood of
aching to express things beautifully. Missy liked books that lifted you
up. She loved the long-drawn introspections of George Eliot and Augusta
J. Evans; the tender whimsy of Barrie as she'd met him through “Margaret
Ogilvie” and “Sentimental Tommy”; the fascinating mysteries of Marie
Corelli; the colourful appeal of “To Have and To Hold” and the other
“historical romances” which were having a vogue in that era; and
Kipling's India!--that was almost best of all. She had outgrown most
of her earlier loves--Miss Alcott whom she'd once known intimately, and
“Little Lord Fauntleroy” and “The Birds' Christmas Carol” had survived,
too, her brief illicit passion for the exotic product of “The Duchess.”
And she didn't respond keenly to many of the “best sellers” which were
then in their spectacular, flamboyantly advertised heyday; somehow
they failed to stimulate the mind, stir the imagination, excite the
emotions--didn't lift you up. Yet she could find plenty of books in the
Library which satisfied.
Now she sat, reading the introspections of “Romola” till she felt her
own soul stretching out--up and beyond the gas table-lamp glowing there
in such lovely serenity through its gold-glass shade; felt it aching to
express something, she knew not what.
Public-domain text, read in full here on John Shaqi.
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