Mistress Spitfire: A Plain Account of Certain Episodes in the History of Richard Coope, Gent., and of His Cousin, Mistress Alison French, at the Time of the Revolution, 1642-1644
History
Mistress Spitfire: A Plain Account of Certain Episodes in the History of Richard Coope, Gent., and of His Cousin, Mistress Alison French, at the Time of the Revolution, 1642-1644
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
He turned away in another direction and swung his lanthorn over a
little basin in the rock, full of clear water, that came bubbling
to the surface. “It looks like a spring,” says I. “Aye, but look
closer,” says he, whereupon I bent my head and saw a hundred little
fishes that darted hither and thither, turning their heads towards
the light. “Why, that’s curious!” says I. “But not half so curious
as you shall find,” says Gregory, and bends down to scoop up a
palmful of water. “Look thee there, lad,” says he, holding the
light over his hand. “The Lord have mercy!” says I, as I stared;
and faith, there was excuse for my fear. For the fish that he
had taken up, smaller than the minnows that lads draw out o’ the
streams, was blind as a bat, having a thin white skin drawn over
its eyes, and ’twas pitiful to see its head dart this way and that,
and the white scale that blinded it turn to the glint of the
candle. “For God’s sake, Gregory!” says I, “No more o’ thy horrors.
Let us to this passage, ere I go crazy. Why, man, this is the very
infernal pit--to think there is a gentleman’s house above it!”
“We are a good way from the house, Master Richard,” says he; “Hark,
that’s the horses stamping in the stable over us. But the passage
should be here under this heap o’ timber, which we must remove.”
There was a pile of logs leaned up against the corner of the
cellar, damp, rotten, falling to pieces, and giving harbour to more
foul things that crept about the scaling bark. “This is a very
palace of vermin!” says I, as I helped Gregory to shift the logs.
“God send the passage have less of horrors than its porch!”
“You can soon find out about that,” says he, as we laid bare the
boards that covered the entrance. “’Twas dry enough when I was last
in it, nigh on to sixty year ago.”
The boards were damp and rotten. They came down with small effort
on our part, and we were presently gazing into the mouth of the
passage. It presented itself as a low-roofed tunnel of some five
feet in height and four in width, hewn out of a sandstone bed
which there separated itself from the rock. It was carpeted with a
fine thick sand and seemed dry, though its looks were belied by a
breath of foul moisture that came from it as we stood peering into
its darkness. The entrance was strengthened by rude masonry that
extended for some yards along the passage: it was evident that in
days gone by there had been constant use of it for some purpose or
other.
“There it is, master,” says Gregory, swinging his lanthorn along
the walls.
“Aye,” says I, not half-liking the task that I knew I must needs
undertake, “and the next thing is to find out, if ’tis possible,
how far it is from this spot to Wood’s house?” I says.
“Let’s see,” says he, scratching his head. “Why, come, we are
under our own stable now, and that’s a good twenty yards from our
scullery window. We must be,” says he, “a hundred yards from Wood’s
cellar.”
Public-domain text, read in full here on John Shaqi.
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