Brothers -- Fiction; Children -- Fiction; Fathers and sons -- Fiction; Motherless families -- Fiction
He turned his head away as he spoke, for the mention of the dinner-party
brought up the image of the boy bursting into the library full of life
and health and beauty, and the contrast with the little worn-out figure
lying on the bed overcame him for a moment.
But the latter part of the speech, and his father's emotion, were lost
upon Humphrey and he only repeated to himself over and over again,
"Uncle Charlie, Uncle Charlie. Is that what I mean? What is Uncle
Charlie? Who is Uncle Charlie?"
At this moment there is a sound as of an arrival; voices and footsteps
outside; but Humphrey hears them not. Some one knocks at the library
door. One of the maids in the distance steals gently towards it, for Sir
Everard holds up his hand to enforce silence, hoping that the busy brain
may get a few moments' rest. The door opens, and a young man enters. Sir
Everard rises, and goes to meet him. After a few moments' whispered
conversation, both advance noiselessly to the sofa, and stand looking at
the little face on the pillow with its closed eyes. Closed, but not
sleeping. The weary brain is trying to rake up, from its fragmentary
recollections of the past, something that may throw a light on his
present perplexities. Dim, confused figures flit across the stage of his
fancy, glimmer, and disappear.
"Stop!" he cries feebly, as if the moving shadows wearied his brain;
"oh, please stand still!"
Roused by the sound of his own voice, he opens his eyes, and, ere he
closes them again, fixes them for a moment on the form standing by his
bedside. Hush! do not break the spell! The mists are clearing, the
shadows becoming more distinct. From the fleeting chaos before him one
figure now stands out more clear, more immovable than the rest--the
figure of a tall, fair man. Hush! he has found the clue! The grey walls
of the old church are rising around him; the sides of the old pew are
towering above him. Just in front of him is the large prayer-book,
surmounted by the monogram "Adelaide," and by his side the tall, fair
man! Hush it is all coming back now.
In the distance sits his father, with his legs crossed, and his head
turned towards the pulpit, where stands the old clergyman, with his
Bible in his hand. Breathlessly the boy listens for the words he longs
to hear; but no sound comes from the lips of the preacher.
Disappointment comes down upon his spirit, when, in his vision, the
figure sitting by him takes out a pencil, and underlines something in
his Bible.
"Of course," cries Humphrey out loud, "he knows; he can tell me. Uncle
Charlie!" The real figure by the bedside starts and comes forward, but
Sir Everard holds him back.
"He is only dreaming, don't disturb him."
"It _was_ Uncle Charlie," murmurs Humphrey; "and he can tell me. Many
waters and a pencil and a Bible ... and Uncle Charlie sitting there ...
and then ... there came in his face...."
Public-domain text, read in full here on John Shaqi.
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