She then conducted me into a remote part of the National College, and sliding back a panel containing a magnificent painting, she disclosed a long gallery, the existence of which I had never suspected, although I knew their custom of using ornamented sliding panels instead of doors. Into this I followed her with wonder and increasing surprise. Paintings on canvas, old and dim with age; paintings on porcelain, and a peculiar transparent material, of which I have previously spoken, hung so thick upon the wall you could not have placed a hand between them. They were all portraits of men. Some were represented in the ancient or mediaeval costumes of my own ancestry, and some in garbs resembling our modern styles. Some had noble countenances, and some bore on their painted visages the unmistakable stamp of passion and vice. It is not complimentary to myself to confess it, but I began to feel an odd kind of companionship in this assembly of good and evil looking men, such as I had not felt since entering this land of pre-eminently noble and lovely women. As I gazed upon them, arrayed in the armor of some stern warrior, or the velvet doublet of some gay cavalier, the dark eyes of a debonair knight looked down upon me with familiar fellowship. There was pride of birth, and the passion of conquest in every line of his haughty, sensuous face. I seemed to breathe the same moral atmosphere that had surrounded me in the outer world. _They_ had lived among noble and ignoble deeds I felt sure. _They_ had been swayed by conflicting desires. _They_ had known temptation and resistance, and reluctant compliance. _They_ had experienced the treachery and ingratitude of humanity, and had dealt in it themselves. _They_ had known joy as I had known it, and their sorrow had been as my sorrows. _They_ had loved as I had loved, and sinned as I had sinned, and suffered as I had suffered. I wept for the first time since my entrance into Mizora, the bitter tears of actual experience, and endeavored to convey to the Preceptress some idea of the painful emotion that possessed me. "I have noticed," she said, "in your own person and the descriptions you have given of your native country, a close resemblance to the people and history of our nation in ages far remote. These portraits are very old. The majority of them were painted many thousands of years ago. It is only by our perfect knowledge of color that we are enabled to preserve them. Some have been copied by expert artists upon a material manufactured by us for that purpose. It is a transparent adamant that possesses no refractive power, consequently the picture has all the advantage of a painting on canvas, with the addition of perpetuity. They can never fade nor decay."