I was sitting beside a Mizora mother one evening, listening to some
singing that I truly thought no earthly melody could surpass. I asked
the lady if ever she had heard anything sweeter, and she answered,
earnestly:
"Yes, the voices of my own children."
On our homeward journey, Wauna took me to a lake from the center of
which we could see, with our glasses, a green island rising high above
the water like an emerald in a silver setting.
"That," said Wauna, directing my attention to it, "is the last vestige
of a prison left in Mizora. Would you like to visit it?"
I expressed an eager willingness to behold so curious a sight, and
getting into a small pleasure boat, we started toward it. Boats are
propelled in Mizora either by electricity or compressed air, and glide
through the water with soundless swiftness.
As we neared the island I could perceive the mingling of natural and
artificial attractions. We moored our boat at the foot of a flight of
steps, hewn from the solid rock. On reaching the top, the scene spread
out like a beautiful painting. Grottos, fountains, and cascades, winding
walks and vine-covered bowers charmed us as we wandered about. In the
center stood a medium-sized residence of white marble. We entered
through a door opening on a wide piazza. Art and wealth and taste had
adorned the interior with a generous hand. A library studded with books
closely shut behind glass doors had a wide window that commanded an
enchanting view of the lake, with its rippling waters sparkling and
dimpling in the light. On one side of the mantelpiece hung a full length
portrait of a lady, painted with startling naturalness.
"That," said Wauna, solemnly, "was the last prisoner in Mizora."
I looked with interested curiosity at a relic so curious in this land.
It was a blonde woman with lighter colored eyes than is at all common in
Mizora. Her long, blonde hair hung straight and unconfined over a dress
of thick, white material. Her attitude and expression were dejected and
sorrowful. I had visited prisons in my own land where red-handed murder
sat smiling with indifference. I had read in newspapers, labored
eloquence that described the stoicism of some hardened criminal as a
trait of character to be admired. I had read descriptions where mistaken
eloquence exerted itself to waken sympathy for a criminal who had never
felt sympathy for his helpless and innocent victims, and I had felt
nothing but creeping horror for it all. But gazing at this picture of
undeniable repentance, tears of sympathy started to my eyes. Had she
been guilty of taking a fellow-creature's life?
"Is she still living?" I asked by way of a preface.
"Oh, no, she has been dead for more than a century," answered Wauna.
"Was she confined here very long?"
"For life," was the reply.
"I should not believe," I said, "that a nature capable of so deep a
repentance could be capable of so dark a crime as murder."
Public-domain text, read in full here on John Shaqi.
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