Women -- Biography; Women -- Social and moral questions
The maiden name of the subject of this sketch was Carolina Oliphant.
She was the third daughter and fifth child of Laurence Oliphant, Esq.,
of Gask, Perthshire, who had espoused his cousin Margaret Robertson, a
daughter of Duncan Robertson, of Strowan, and his wife a daughter of
the second Lord Nairne. The Oliphants of Gask were cadets of the
formerly noble house of Oliphant; whose ancestor, Sir William Oliphant,
of Aberdalgie, a powerful knight, acquired distinction in the beginning
of the fourteenth century by defending the castle of Stirling, against
a formidable siege by the first Edward. Carolina was born in the
mansion house of Gask, on the 16th of July, 1766. Her father was so
keen a Jacobite, that she, along with other two of his children, were
named after Prince Charles Edward. Even the Prayer-Books which he put
into his children’s hands had the names of the exiled family pasted
over those of the reigning one. He could not bear the name of the
“German lairdie and his leddy,” to be mentioned in his presence, and
when any of the family read the newspapers to him, the reader was
sharply reproved if their majesties were designated anything else than
the “K—— and Q——.” The antecedents of the family naturally produced
this strong feeling. Carolina’s father and grandfather had borne arms
under Prince Charles in the fatal campaign of 1745-6, which crushed for
ever the hopes of the Stuarts; and her grandmother had a lock from the
hair of the young Chevalier, which was given to her the day it was cut.
The childhood of Carolina Oliphant was thus passed amidst family
traditions eminently fitted to stir her warm imagination. Not only so,
the natural surroundings of her home were of the kind to nourish the
poetic faculty. It was the
“Land of brown heath and shaggy wood,
Land of the mountain and the flood,”
where green vales bedeck the landscape with verdure and beauty;
farmhouses stand half-way up the braes, shadowed with birches; and old
castles frown in feudal dignity. Amid such magic scenes, Miss Oliphant
grew into that loving familiarity with nature in all its various moods,
which imparts to her verses one of their many charms. She entered
eagerly into all the pleasures which the world can afford its votaries.
So energetic was she in her gaiety, that “finding at a ball, in a
watering-place, that the ladies were too few for the dance, she drove
home, and awoke a young friend at midnight, and stood in waiting till
she was equipped to follow her to the dance.”
Public-domain text, read in full here on John Shaqi.
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