Women -- Biography; Women -- Social and moral questions
_EXTRACTS AND CRITICISMS._
One good song is sufficient to secure immortality. Sappho lives in
virtue of a single song. What then shall we say of Lady Nairne who has
bequeathed more of these imperishable breathings to her country and to
the world than any Caledonian bard, Burns alone excepted. The lyrics of
Scotland were characterized by a loose ribaldry, she resolved to supply
songs of a higher type. Take the following verses as a specimen of the
good common sense, the cheerful practical philosophy, which, joined to
poetic imagery, made its way to the hearts of the people.
“Saw ye ne’er a lanely lassie,
Thinkin’ gin she were a wife,
The sun of joy wad ne’er gae down,
But warm and cheer her a’ her life.
“Saw ye ne’er a weary wifie,
Thinkin’ gin she were a lass
She wad aye be blithe and cheerie,
Lightly as the day wad pass.
“Wives and lassies, young and aged,
Think na on each ither’s state;
Ilka ane it has its crosses,
Mortal joy was ne’er complete.
“Ilka ane it has its blessings;
Peevish dinna pass them by;
Seek them out like bonnie berries,
Tho’ amang the thorns they lie.”
In 1824, “The Scottish Minstrel” was completed in six volumes, royal
octavo, and Mr. Purdie and his editor, Mr. Smith, still believing “B.
B.” to stand for Mrs. Bogan of Bogan, said, “In particular the editors
would have felt happy in being permitted to enumerate the many original
and beautiful verses that adorn their pages, for which they are
indebted to the author of the much admired song, ‘The Land o’ the
Leal;’ but they fear to wound a delicacy which shrinks from all
observation.” “The Land o’ the Leal” well deserved the praise bestowed
upon it. The name alone is a triumph of word-painting. Who that has
heard it sung in a Scotch gloaming to a group of eager listeners will
not confirm our words, that there is no song, not even of Burns, nor of
Moore, nor of Béranger, nor of Heine, which approaches on its own
ground “The Land o’ the Leal”? It was written for relatives of Lady
Nairne’s, who had lost a child; its pathos is most exquisite.
“I’m wearin’ awa, John,
Like snaw-wreaths in thaw, John,
I’m wearin’ awa
To the land o’ the leal.
There’s nae sorrow there, John;
There’s neither cauld nor care, John;
The day’s aye fair
In the land o’ the leal.
Public-domain text, read in full here on John Shaqi.
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