Inspirited by what she saw around her, and by a new tie, an only child, a boy of great intellectual and musical precocity, the genius of Mrs. Browning had become practical and energetic. “The future of Italy,” says our authoress, “shall not be disinherited.” Then came, in 1856, “Aurora Leigh,” a long and elaborate poem or novel in blank verse, which our poetess considered the most mature of her works, into which her highest convictions upon life and art were entered. “Poems before Congress” followed in 1860. After a brief illness, Mrs. Browning died at Florence on the 29th of June, 1861. When the sad news reached England, universal regret was expressed for the loss of the talented lady; the press confessing with singular unanimity that the world had lost in her the greatest poetess that had ever appeared. She was borne to the tomb amidst the lamentations of Tuscany no less than of her own dear England. Above the door of a decent little house in Florence is a small square slab, with an inscription in Italian, which may be thus translated:—“Here wrote and died Elizabeth Barrett Browning, who to the heart of a woman joined the science of a scholar and the spirit of a teacher, and who made with her golden verse a nuptial ring between Italy and England. Grateful Florence places this memorial.” _PLACE AS A POETESS._ In no languages, save Greek and English, so far as we remember at present, have poetesses achieved special fame; and we think all competent judges will unhesitatingly rank Mrs. Browning as the Queen of song. But we do not wish to judge her by a less elevated standard or less rigid rules than those we apply to the poets generally. “Good for a woman,” is the sort of praise she would have rejected with scorn. She entered fairly into the lists against all the world, and she claims a place among literary worthies as such. Genius is of no sex. What place shall we assign her? It is not necessary for the purposes of criticism that a scale of genius should be formed, that a list of the orbs of song should be made out. Shakespeare is the greatest author of mankind; for generations he has been hailed as the mightiest of mere men. Mrs. Browning is not Shakespeare; but we do not talk amusingly when we claim her as his counterpart. Milton was endowed with gifts of the soul which have been imparted to few of our race. His name is almost identified with sublimity. He is in fact the sublimest of men. In fitness of conception, terseness of diction, and loftiness of thought, the following lines have all that Miltonic genius could impart:—