American poetry -- 19th century; American poetry -- 20th century
Under the pseudonym “Emanuel Morgan,” Bynner was coauthor with
Arthur Davison Ficke (writing under the name of “Anne Knish”) of
_Spectra_ (1916). _Spectra_ was a serious burlesque of some of the
extreme manifestations of modern poetic tendencies—a remarkable hoax
that deceived many of the radical propagandists as well as most of
the conservative critics.
GRASS-TOPS
What bird are you in the grass-tops?
Your poise is enough of an answer,
With your wing-tips like up-curving fingers
Of the slow-moving hands of a dancer ...
And what is so nameless as beauty,
Which poets, who give it a name,
Are only unnaming forever?—
Content, though it go, that it came.
VOICES
O there were lights and laughter
And the motions to and fro
Of people as they enter
And people as they go ...
And there were many voices
Vying at the feast,
But mostly I remember
Yours—who spoke the least.
A FARMER REMEMBERS LINCOLN[40][41]
“Lincoln?—
Well, I was in the old Second Maine,
The first regiment in Washington from the Pine Tree State.
Of course I didn’t get the butt of the clip;
We was there for guardin’ Washington—
We was all green.
“I ain’t never ben to the theayter in my life—
I didn’t know how to behave.
I ain’t never ben since.
I can see as plain as my hat the box where he sat in
When he was shot.
I can tell you, sir, there was a panic
When we found our President was in the shape he was in!
Never saw a soldier in the world but what liked him.
“Yes, sir. His looks was kind o’ hard to forget.
He was a spare man,
An old farmer.
Everything was all right, you know,
But he wasn’t a smooth-appearin’ man at all—
Not in no ways;
Thin-faced, long-necked,
And a swellin’ kind of a thick lip like.
“And he was a jolly old fellow—always cheerful;
He wasn’t so high but the boys could talk to him their own ways.
While I was servin’ at the Hospital
He’d come in and say, ‘You look nice in here,’
Praise us up, you know.
And he’d bend over and talk to the boys—
And he’d talk so good to ’em—so close—
That’s why I call him a farmer.
I don’t mean that everything about him wasn’t all right, you understand,
It’s just—well, I was a farmer—
And he was my neighbor, anybody’s neighbor.
I guess even you young folks would ’a’ liked him.”
TRAIN-MATES[42]
Public-domain text, read in full here on John Shaqi.
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