American poetry -- 19th century; American poetry -- 20th century
Do you remember
Honey-melon moon
Dripping thick sweet light
Where Canal Street saunters off by herself among quiet trees?
And the faint decayed patchouli—
Fragrance of New Orleans ...
New Orleans,
Like a dead tube rose
Upheld in the warm air ...
Miraculously whole.
WIND IN THE ALLEYS
Wind, rising in the alleys,
My spirit lifts in you like a banner streaming free of hot walls.
You are full of unshaped dreams ...
You are laden with beginnings ...
There is hope in you ... not sweet ... acrid as blood in the mouth.
Come into my tossing dust
Scattering the peace of old deaths,
Wind rising out of the alleys
Carrying stuff of flame.
_Wallace Stevens_
Wallace Stevens, of Hartford, Connecticut, is a poet whose peculiar
quality is only exceeded by his reticence. He has scrupulously kept
out of the public eye, has printed his poetry only at rare intervals
and, though much of his work has been highly praised, has
steadfastly refused to publish a volume.
Stevens’s best work may be found in the three _Others_ anthologies,
edited by Alfred Kreymborg. Some of it is penetrative, more than a
little is puzzling and all of it is provocative. In spite of what
seems a weary disdain, Stevens is a more than skilful decorator and,
like T. S. Eliot, combines irony and glamour in a highly original
idiom.
PETER QUINCE AT THE CLAVIER
I
Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,
Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna:
Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt
The basses of their beings throb
In witching chords, and their thin blood
Pulse pizzicati of Hosanna.
II
In the green water, clear and warm,
Susanna lay,
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.
Upon the bank, she stood
In the cool
Of spent emotions.
She felt, among the leaves,
The dew
Of old devotions.
Public-domain text, read in full here on John Shaqi.
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