American poetry -- 19th century; American poetry -- 20th century
I have had knowledge to be true;
My faith could obstacles remove;
But now my frailty I endue.
I would have courage now to love,
And lay aside the strength I knew.
THE MOULD[52]
No doubt this active will,
So bravely steeped in sun,
This will has vanquished Death
And foiled oblivion.
But this indifferent clay,
This fine, experienced hand
So quiet, and these thoughts
That all unfinished stand,
Feel death as though it were
A shadowy caress;
And win and wear a frail
Archaic wistfulness.
_Ezra Pound_
Ezra (Loomis) Pound was born at Hailey, Idaho, October 30, 1885;
attended Hamilton College and the University of Pennsylvania; and
went abroad, seeking fresh material to complete a thesis on Lope de
Vega, in 1908. After visiting Spain on a roundabout journey to
England, where he took up his residence and where he has lived ever
since, Pound halted for a while in Italy. It was there, in Venice,
to be precise, that Pound’s first book, _A Lume Spento_ (1908), was
printed. The following year Pound went to London and the chief poems
of the little volume were incorporated in _Personæ_ (1909), a small
collection containing some of Pound’s finest work.
Although the young American was a total stranger to the English
literary world, his book made a definite impression on critics of
all shades and tastes. Edward Thomas, one of the most careful
appraisers, wrote “the beauty of it is the beauty of passion,
sincerity and intensity, not of beautiful words and images and
suggestions.... The thought dominates the words and is greater than
they are.” Another critic (Scott James) placed the chief emphasis on
Pound’s metrical innovations, saying, “At first the whole thing may
seem to be mere madness and rhetoric, a vain exhibition of force and
passion without beauty. But as we read on, these curious meters seem
to have a law and order of their own.”
_Exultations_ (1909) was printed in the autumn of the same year that
saw the appearance of _Personæ_. It was received with even greater
cordiality; a new force and freedom were manifest in such poems as
“Sestina: Altaforte,” “Ballad of the Goodly Fere,” “Francesca” and
“Histrion.”
Public-domain text, read in full here on John Shaqi.
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